Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was in…

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched t…

The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in th…

Besides the Masses the Requiem and the Vespers Mozart’s lengthier church-music works also include four Litanies all composed in Salzburg. After his first Italian journey (13 December 1769 to 28 March 1771) Mozart returned to his post as archiepiscopal “Konzertmeister”. Undoubtedly inspired by what he had just experienced he wrote the Litaniae Lauretanae (Loretian Litany) K.1…

The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in th…

The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in th…

Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…

The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. …

Baroque tradition remained alive in the music of Salzburg Cathedral into the first decades of the nineteenth century. This called for the inclusion of three trombones playing colla parte with the alto tenor and bass in the tuttis. Although not expressly noted in the autographs of the Masses the participation of trombones is authentically documented for K. 65 (61a).- Urtext of the New Mozart Edit…

Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was in…

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item CA.5162650. R…

(Missa in C). By Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: Monument edition. C-Dur (C majo choral score Masses, Lat…

(Coronation Mass). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For Mixed Choir-SATB. Messen, Klassik (Masses, Classical). Chorus Score. KV 317

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Requiem; Occasions: Mourning, Death. Score. Language: La…

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum (Esterhazy) (3). Set of instrumental parts (except strings).

By Antonin Dvorak. Edited by Feldigl. For SATB soli, SATB, 23 (english horn) 22 4231 timpani, organ, strings. Op.58(Lat). Sacred Choral Works. Duration 90'. Published by C.F. Peters.

By Wolfgang Amadeus Mozart. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo, [3 Trombones]. KV 49 (47d). Full score available separately - see item CA.4062100. Missa brevis, Latin; Stuttgart Urtext editions. Choral score with Soli. Language: Lat…

Die 14 Stationen des Kreuzwegs. By Franz Liszt. Edited by Kohlhase, Thomas. For Soli SATB, SATB Choir, Organ. S 53. Full score available separately - see item CA.4017300. Chamber Choir - Recommended by Frieder Bernius; Occasions: Stations of the Cross (7 words); Use during church…

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Part: organ. Language: Latin. 8 pages. Duration 7 minutes. Published by Carus V…

(Nicolai-Messe). By Franz Joseph Haydn (1732-1809). Edited by Volker Kalisch. For Soli SATB, SATB Choir, 2 Oboes, 2 Horns, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: paperbound. Hob. XXII:6. Full score available separately - see item CA.4060500. Latin Masses. Level …

By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choir, 2 Pianos, Armo. This edition: paperbound. Full score available separately - see item CA.4065000. Masses, Latin. Level 3. Part: Harmonium. Language: Latin. Composed 1863. 56 pages. Duration 90 min

By Ralph Vaughan Williams. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa solemnis in C KV 337 rev.2003. Latin Masses. Choral score includes solo parts. Composed 1780. KV 337. …

By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: M…

(erganzt von Robert D. Levin). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item…

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. KV 275 (272b). Full score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext editions. Leve…

By Franz Joseph Haydn (1732-1809). Edited by Kalisch, Volker / Ballstaedt, Andreas. For Soli SATB, SATB Choir, 2 Oboes, Bassoon, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: paperbound. Hob. XXII:8. Masses, Latin. Level 3. Score. Language: Latin. …

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Pa…

By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, Basso (cello, double bass, organ). Full score available separately - see item CA.4068800. Latin M…

Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Cantatas. Vocal score. Composed 1727. 56 pages. Duration 35 minutes. Carus Verlag #CV 31.198/03. Published by Carus Verlag (CA.311980…