/ Violon I, Violon II, Viole (Violon III) Et Violoncelle / Partition

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sechs Suiten für Violoncello solo qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence…

A violin method for children age four and older . Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. Bärenreiter'S Sassmannshaus - The Sassmannshaus Tradition. Early Start On The Violin/ Méthode / Violon

The vocal score of Beethoven's Fidelio is based on the scholarly-critical edition of the full score prepared by Helga Lühning (Beethoven-Haus, Bonn) and the late Robert Didion (†). lt is the first one to make use of all the major sources. The opera's extremely long gestation and complex genesis, with its three versions between 1804 and 1814 and its four overtures, shed light on the huge amount of …

for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K. 314. Oboe Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. …

Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert per…

Par BEETHOVEN LUDWIG VAN. The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way mast…

Composed by Marten Jansson (1965-). In a folder. Set of parts. 11/11/11/11/8 pages pages. Published by Baerenreiter Verlag (BA.BA7420-22).

Composed by Marten Jansson (1965-). Arranged by Marten Jansson. Stapled. Piano reduction. Published by Baerenreiter Verlag (BA.BA7420-90).

Composed by Frantisek Xaver Dusek. Edited by Vojtech Spurny. This edition: urtext edition. Paperback. Performance score. Published by Baerenreiter Verlag

Composed by Ottakar Sevcik (1852-1934). Edited by Jaroslav Foltyn. For violin. Stapled. Level 3. Performance score. Opus 7. Published by Baerenreiter Verlag

Composed by Antonin Dvorak (1841-1904). Edited by Antonin Cubr. For piano, 4-hands. Paperback. Level 3. Performance score. Opus 68. Published by Baerenreiter Verlag

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. For piano and cello. This edition: Urtext edition. Stapled. With an introduction by Gudula Schutz. Level 4. Score and part. Published by Baerenreiter Verlag

(Cantata for the Feast of Visitation B. V. M.). Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Arranged by Matthias Grunert. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/piano. This edition: Urtext edition. Stapled. Level …

Composed by Domenico Gabrielli (1651-1690). Edited by Bettina Hoffmann. For cello. This edition: Urtext edition. Stapled. Level 3. Score, part(s), anthology. Published by Baerenreiter Verlag

(Volume IV: Charles Villiers Stanford, Cathedral Sounds). Composed by Charles Villiers Stanford (1852-1924). Edited by Carsten Klomp; Heiko Petersen. Arranged by Carsten Klomp. For organ and brass choir. Stapled. Organ plus brass 4. Bearbeitungen fur Blechblaser und Orgel. Level …

Composed by Zdenek Fibich (1850-1900). For piano. Classical. Performance score. Publication language: Czech. Opus 41/I. Published by Editio Baerenreiter Praha

(Lagenwechsel). Composed by Ottakar Sevcik (1852-1934). For violin. Stapled. Heft 3. Level 3. Performance score. Opus 1. Published by Baerenreiter Verlag

(Duo for Violin and Violoncello). Composed by Ondrej Kukal. For violin, cello. Stapled. Performance score, Set of parts. Text Language: Czech/German/English. Published by Editio Baerenreiter Praha

Composed by Maurice Ravel (1875-1937). Edited by Nicolas Southon. For piano. This edition: Urtext edition. Stapled. With notes on performance and fingering by Alexandre Tharaud. Level 5. Performance score. Published by Baerenreiter Verlag

Composed by Jan Ladislav Dusik (1760-1812). For violin, piano. Musica Antiqua Bohemica I/41. Czech title: Sonaty op. 69 1, 2. Classical. Performance score and parts. Publication language: Czech. Opus 69, No. 1, 2. Published by Editio Baerenreiter Praha

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For SATB choir. This edition: Urtext edition. Stapled. Messen, Klassik (Masses, Classical). Choral score. KV 275 (272b). 16 pages. Published by Baerenreiter Verlag

Composed by Francois Couperin (1668-1733). Edited by Denis Herlin. For harpsichord. This edition: urtext edition. Paperback. Premier livre. Level 5. Playing score(en). Composed 1713. Published by Baerenreiter Verlag

Composed by Hugo Distler (1908-1942). For mixed choir. Stapled. Chorlieder (Choral). Level 2. Choral score. Opus 19. Published by Baerenreiter Verlag