Volume 1 of Bach’s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach’s own hand could be incorporated into the musical t…

/ Violon Et Piano / Partition

/ 4 Parties Mixtes, Instruments A Cordes Et Basse Continue / Partition

Par DVORAK ANTONIN. / Date parution : 2022-06-08/ Répertoire / Choeur SSAA a Cappella

The vocal score of Beethoven's Fidelio is based on the scholarly-critical edition of the full score prepared by Helga Lühning (Beethoven-Haus, Bonn) and the late Robert Didion (†). lt is the first one to make use of all the major sources. The opera's extremely long gestation and complex genesis, with its three versions between 1804 and 1814 and its four overtures, shed light on the huge amount of …

for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K. 314. Oboe Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. …

Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert per…

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For first violin. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For harpsichord/basso continuo. Stapled. Single part. No. 2. Published by Baerenreiter Verlag

By Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. For contrabass (piano and orchestra). This edition: Stapled, Urtext edition. Stapled. Single part. No. 25. Published by Baerenreiter Verlag

(Including the versions of 1842 and 1844). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani. This edition: Stapled, Urtext edition. Stapled. Set of wind parts. Composed 1842-184…

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violin 2. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For harpsichord/basso continuo. Stapled. Single part. No. 1. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For viola. Stapled. Single part. No. 1. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violin/contrabass. Stapled. Single part. No. 1. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violin 2. Stapled. Single part. No. 1. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For 2 corno d'caccia, horn, 3 oboes, bassoon. Stapled. Set of wind parts. No. 1. Published by Baerenreiter Verlag

(Komicka zpevohra ve trech jednanich). By Bedrich Smetana (1824-1884). Edited by Frantisek Bartos. For 3 soprano voice solos, 1 mezzo-soprano voice solo, 3 tenor voice solo, 1 baritone voice solo, 3 bass voice solo, orchestra (3 Solo Sopranos/1 Solo Mezzo-soprano/3 Solo Tenors/1 …

(Including the versions of 1842 and 1847). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For viola. This edition: Stapled, Urtext edition. Stapled. Single part. Composed 1842-1843. Opus 56. 35 pages. Published by Baerenreiter Verlag

(Including the versions of 1842 and 1846). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For violin 2. This edition: Stapled, Urtext edition. Stapled. Single part. Composed 1842-1843. Opus 56. 38 pages. Published by Baerenreiter Verlag

(Including the versions of 1842 and 1848). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For cello. This edition: Stapled, Urtext edition. Stapled. Single part. Composed 1842-1843. Opus 56. 33 pages. Published by Baerenreiter Verlag

(Including the versions of 1842 and 1845). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For first violin. This edition: Stapled, Urtext edition. Stapled. Single part. Composed 1842-1843. Opus 56. 37 pages. Published by Baerenreiter Verlag

(Including the versions of 1842 and 1849). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For contrabass. This edition: Stapled, Urtext edition. Stapled. Single part. Composed 1842-1843. Opus 56. 32 pages. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For first violin. Stapled. Single part. No. 1. Published by Baerenreiter Verlag

By Heinz Werner Zimmermann (1930-). For SSATB choir (high voice/SSATB choir/vibraphone/harpsichord/double bass/percussion ad lib.). This edition: Stapled. Choral score. Composed 1962. Published by Baerenreiter Verlag

('Water music'). By Georg Philipp Telemann (1681-1767). Edited by Friedrich Noack. For viola. This edition: Stapled, Urtext edition. Single part. TWV 55:C3. Published by Baerenreiter Verlag