/ Violon I, Violon II, Viole (Violon III) Et Violoncelle / Partition

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sechs Suiten für Violoncello solo qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence…

A violin method for children age four and older . Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. Bärenreiter'S Sassmannshaus - The Sassmannshaus Tradition. Early Start On The Violin/ Méthode / Violon

Par DVORAK ANTONIN. / Date parution : 2022-06-08/ Répertoire / Choeur SSAA a Cappella

The vocal score of Beethoven's Fidelio is based on the scholarly-critical edition of the full score prepared by Helga Lühning (Beethoven-Haus, Bonn) and the late Robert Didion (†). lt is the first one to make use of all the major sources. The opera's extremely long gestation and complex genesis, with its three versions between 1804 and 1814 and its four overtures, shed light on the huge amount of …

for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K. 314. Oboe Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. …

Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert per…

Edited by Larry Bernstein. For Descant Recorder/Treble Recorder/Tenor Recorder/Bass Recorder. Stapled. Plaisir musical. Level 2. Performance score. Published by Baerenreiter Verlag

Composed by Ernst Krenek (1900-1991). For piano. Stapled. Level 4. Performance score. Composed 1988. Opus 240. Published by Baerenreiter Verlag

(Musik fur 11 Instrumente). Composed by Lutz Glandien. For orchestra (2 flutes/oboe/clarinet/bassoon/piano/2 violins/viola/cello/contrabass). Stapled. Score. Composed 1989. Published by Baerenreiter Verlag

Composed by Peter Michael Hamel (1947-). For orchestra (first flute/second flute/piccolo/alto flute/flute 3/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/2 trumpets/3 trombones/tuba/timpani/3 percussions/piano/strings). Stapled. Study score. Comp…

(9 Satze (Sinfonien, Paduana, Suite, Danklied) zu 3-8 Stimmen). Composed by Samuel Scheidt (1587-1654). Edited by Karl-Heinz Saretzki. For brass instruments. Stapled. Baerenreiter-Blasmusik. Level 3. Performance score, anthology. Published by Baerenreiter Verlag

Composed by Wolfgang Stockmeier (1931-). For trumpet/organ. Stapled. Musik fur Blechblaser and Tasteninstrument. Level 4. Performance score and parts. Composed 1978. Published by Baerenreiter Verlag

(Urtext der New Berlioz Edition). Composed by Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For solo voices, choir, orchestra (soprano voice solo, tenor voice solo, bass voice solo, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets (B Flat), 2 bassoons, 4 horns, 2 trump…

Composed by Hector Berlioz (1803-1869). Edited by Ian Rumbold. For voice/piano. This edition: Complete edition. Linen. New Berlioz Edition. Volume 15. Anthology. 303 pages. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. For second viola. This edition: Urtext edition. Stapled. Single part. KV 338, No. 34. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. For first viola. This edition: Urtext edition. Stapled. Single part. KV 338, No. 34. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. For violin 2. This edition: Urtext edition. Stapled. Single part. KV 338, No. 34. 11 pages. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. For orchestra (2 flutes/2 oboes/2 bassoons/2 horns/2 trumpets/timpani). This edition: Urtext edition. Stapled. Set of wind parts. KV 338, No. 34. 5/5/7/7/5/5/5/5/5 pages. Published by Baerenreiter Verla…

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For violin 2. This edition: Urtext edition. Stapled. Single part. KV 447, No. 3. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For first violin. This edition: Urtext edition. Stapled. Single part. KV 447, No. 3. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For horn and orchestra (2 clarinets, 2 bassoons). This edition: Urtext edition. Stapled. Set of wind parts. KV 447, No. 3. Published by Baerenreiter Verlag

(Motet for two four-part mixed choirs and instruments). Composed by Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. For violin/contrabass. This edition: Urtext edition. Stapled. Sacred. Single part. BWV 226. Published by Baerenreiter Verlag

(Motet for two four-part mixed choirs and instruments). Composed by Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. For cello. This edition: Urtext edition. Stapled. Sacred. Single part. BWV 226. 5 pages. Published by Baerenreiter Verlag

(Motet for two four-part mixed choirs and instruments). Composed by Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. For violin 2. This edition: Urtext edition. Stapled. Sacred. Single part. BWV 226. Published by Baerenreiter Verlag