The Complete Chorales are an Urtext edition of all four-part chorales by Johann Sebastian Bach and the new standard in editing for this genre. Musicologist Thomas Daniel, a well-known specialist for the topic of Bach chorales, divided the chorales in two parts of about equal length: Chorales from cantatas, motets, and passions that were confirmedly written by Bach are found in the first part, whil…

Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, scholars paid more and more attention to him. Now Breitkopf & Härtel transfers his Flute Sonatas, which originated mainly during his time at the court of Frederic II., from Musica Rara to the Edition Breitkopf. For this purpose, …

Concertos pour piano de Mozart de Henle et Breitkopf: la naissance d'un projet En 2006, le Henle-Verlag a lancé un projet ambitieux: une réduction pour piano András Schiff aux concertos K. 453, 467 et 488. Au cours des années à venir, tous les concertos pour piano de Mozart sera publié dans les éditions urtext complètement nouveaux. En coproduction avec Breitkopf and Härtel, concertos sélectionnés…

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …

Günter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the “Sinfonietta”, published in 1964 by VEB Breitkopf & Härtel Musikverlag Leipzig, and the award-winning “Quartettino 1969” for wind instruments, created for a composition contest organized by the Association of Composers…

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, s…

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, …

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes,…

On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire f…

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Ba…

Wind set. Composed by Johann Sebastian Bach (1685-1750). Orchester-Bibliothek (Orchestral Library). Baroque. Wind set. 24 pages. Published by Breitkopf and Haertel (BR.OB-4307-30).

Composed by August Nolck. Edited by Siegfried Palm. This edition: paperback. Edition Breitkopf. Pedagogical. 48 pages. Published by Breitkopf and Haertel (BR.EB-1969).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Paul Graf Waldersee. This edition: paperback. Edition Breitkopf. Classical period. Solo part, piano reduction. 28 pages. Published by Breitkopf and Haertel (BR.EB-2432).

Composed by Steffen Wolf. Edition Breitkopf. 60 pages. Published by Breitkopf and Haertel (BR.EB-8848).

Composed by Michael Proksch. Monuments of German Music. Pedagogical. Instructional method. 88 pages. Published by Breitkopf and Haertel (BR.SMV-41007).

Mit Audio-CD. Composed by Michael Ostrzyga. Edition Breitkopf. Pedagogical. Instructional method. 52 pages. Published by Breitkopf and Haertel (BR.EB-8659).

Composed by Steffen Wolf. Edition Breitkopf. 60 pages. Published by Breitkopf and Haertel (BR.EB-8849).

Composed by Steffen Wolf. Edition Breitkopf. 60 pages. Published by Breitkopf and Haertel (BR.EB-8850).

Composed by Barbara Arens. Edition Breitkopf. Published by Breitkopf and Haertel (BR.EB-8883).

Composed by Adolf Busch. Edition Breitkopf. Set of parts. 16 pages. Published by Breitkopf and Haertel (BR.EB-5309).

Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Breig. Edition Breitkopf. Published by Breitkopf and Haertel (BR.EB-8803).

Wind set. Composed by Wolfgang Amadeus Mozart (1756-1791). Orchester-Bibliothek (Orchestral Library). Classical period. Wind set. 32 pages. Published by Breitkopf and Haertel (BR.OB-4455-30).

Composed by Luis Zett. Edition Breitkopf. 64 pages. Published by Breitkopf and Haertel (BR.EB-8857).

(score). Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. For violin and orchestra (solo violin - 1.2.2.2. - 2.2.0.0. - timpani - strings). This edition: urtext. Partitur-Bibliothek (Score Library). Score. Opus 61. 114 pages. Published by Breitkopf and Haertel…

By Franz Tunder (1614-1667). For organ. This edition: urtext. Edition Breitkopf. 120 pages. Published by Breitkopf and Haertel

By Johann Melchior Molter (1696-1765). Edited by Heinz Becker. For clarinet, strings (solo clarinet). Orchester-Bibliothek (Orchestral Library). Piano reduction. 16 pages. Published by Breitkopf and Haertel . Reduction.

(wind set). By Johann Sebastian Bach (1685-1750). For vocal solo(s), mixed choir, orchestra. Orchester-Bibliothek (Orchestral Library). Wind set. 18 pages. Published by Breitkopf and Haertel . wind set.

(wind set). By Johann Sebastian Bach (1685-1750). For tenor voice, mixed choir, orchestra. Orchester-Bibliothek (Orchestral Library). Wind set. 6 pages. Published by Breitkopf and Haertel . wind set.

By Peter Muller. Edited by William Waterhouse. For Wind Quintet. This edition: paperback. Musica Rara. 20 pages. Published by Breitkopf and Haertel

By Modest Petrovich Mussorgsky (1839-1881). Edited by Nikolay Andreyevich Rimsky-Korsakov. For piano. This edition: paperback. Edition Breitkopf. 44 pages. Published by Breitkopf and Haertel