The Complete Chorales are an Urtext edition of all four-part chorales by Johann Sebastian Bach and the new standard in editing for this genre. Musicologist Thomas Daniel, a well-known specialist for the topic of Bach chorales, divided the chorales in two parts of about equal length: Chorales from cantatas, motets, and passions that were confirmedly written by Bach are found in the first part, whil…

Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, scholars paid more and more attention to him. Now Breitkopf & Härtel transfers his Flute Sonatas, which originated mainly during his time at the court of Frederic II., from Musica Rara to the Edition Breitkopf. For this purpose, …

Concertos pour piano de Mozart de Henle et Breitkopf: la naissance d'un projet En 2006, le Henle-Verlag a lancé un projet ambitieux: une réduction pour piano András Schiff aux concertos K. 453, 467 et 488. Au cours des années à venir, tous les concertos pour piano de Mozart sera publié dans les éditions urtext complètement nouveaux. En coproduction avec Breitkopf and Härtel, concertos sélectionnés…

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …

Günter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the “Sinfonietta”, published in 1964 by VEB Breitkopf & Härtel Musikverlag Leipzig, and the award-winning “Quartettino 1969” for wind instruments, created for a composition contest organized by the Association of Composers…

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, s…

1. Gaetano Donizetti Fia dunque vero / O mio Fernando (Leonora - La favorita)2. Richard Wagner Entweihte Götter! (Ortrud - Lohengrin)3. Richard Wagner Einsam wachend in der Nacht (Brangäne - Tristan und Isolde)4. Richard Wagner Wo in Bergen du dich birgst (Fricka - Die Walküre)5. Giuseppe Verdi Stride la vampa (Azucena - Il trovatore)6. Giuseppe Verdi Condotta ell'era in ceppi (Azucena…

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes,…

The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and …

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Ba…

(piano reduction). By Georg Philipp Telemann (1681-1767). Edited by Anders Wiklund. For Oboe, 2 Violin, Basso Continuo (oboe, 2 violins and piano). Musica Rara. Piano reduction. 20 pages. Published by Breitkopf and Haertel

(solo harp). By George Frideric Handel (1685-1759). Edited by A. Lawrence-King. For Organ (Harp), Orchestra (solo harp). Orchester-Bibliothek (Orchestral Library). Piano reduction. 14 pages. Published by Breitkopf and Haertel

By Meinrad Schutter. For cello, soprano voice. Score. 9 pages. Published by Breitkopf and Haertel

By Robert Schumann. Edited by Chr. R. Riedel, Th. Zehetmair. For Violin, Orchestra. This edition: Urtext. Piano reduction. WoO 1. 62 pages. Published by Breitkopf and Haertel

(study score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. This edition: Urtext. Partitur-Bibliothek (Score Library). Parts. 440 pages. Published by Breitkopf and Haertel

By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For piano. This edition: paperback. Edition Breitkopf. 12 pages. Published by Breitkopf and Haertel

(score). By Johann Sebastian Bach (1685-1750). Edited by Werner Breig. For Strings, Basso Continuo. This edition: Urtext. Partitur-Bibliothek (Score Library). Score. 28 pages. Published by Breitkopf and Haertel

By Ludwig van Beethoven (1770-1827). Edited by Eugen d'Albert. For Piano, Orchestra (2 pianos). This edition: paperback. Edition Breitkopf. Piano reduction. 64 pages. Published by Breitkopf and Haertel

By Ludwig van Beethoven (1770-1827). Edited by Eugen d'Albert. For Piano, Orchestra (2 pianos). This edition: paperback. Edition Breitkopf. Piano reduction. 84 pages. Published by Breitkopf and Haertel

(Symphonie Nr. 3 C-dur op. 52). By Jean Sibelius (1865-1957). Edited by Timo Virtanen. For orchestra. This edition: Urtext. Score. 208 pages. Published by Breitkopf and Haertel

(Symphonie Nr. 7 op. 105). By Jean Sibelius (1865-1957). Edited by Kari Kilpelainen. For 2 flutes, 2 piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, timpani, strings. This edition: Urtext. Score. 136 pages. Published by Breitkopf and Haertel

(wind set (based on the new complete edition)). By Ludwig van Beethoven (1770-1827). Edited by Helmut Hell. For orchestra. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Wind set. 30 pages. Published by Breitkopf and Haertel

(study score). By Jean Sibelius (1865-1957). Edited by Glenda Goss. Study score. 404 pages. Published by Breitkopf and Haertel

By Stephen Heller (1813-1888). Edited by Ulrich Mahlert. For piano. Paperback. Edition Breitkopf. 32 pages. Published by Breitkopf and Haertel

By Hans-Joachim Krumpfer. For trumpet. Paperback. Deutscher Verlag fur Musik. 104 pages. Published by Breitkopf and Haertel

(piano reduction). By Giuseppe Torelli (1658-1709). Edited by Robert P. Block / Edwar Tarr. For Trumpet, Piano. Musica Rara. Piano reduction. 20 pages. Published by Breitkopf and Haertel

(piano reduction). By Pietro Baldassare (1690-1768). Edited by Robert Paul Block. For Trumpet, Piano. Musica Rara. Piano reduction. 16 pages. Published by Breitkopf and Haertel

By Otto Nicolai. For 2 horns. This edition: 2 horns. Paperback. 32 pages. Published by Breitkopf and Haertel (German import).

By Robert Schumann. For piano. This edition: paperback. Edition Breitkopf. 20 pages. Published by Breitkopf and Haertel (German import).

By Carl Maria von Weber. For Clarinet, Orchestra. This edition: paperback. Edition Breitkopf. 32 pages. Published by Breitkopf and Haertel (German import).