Sämtliche Choralsätze. Par BACH JOHANN SEBASTIAN. The Complete Chorales are an Urtext edition of all four-part chorales by Johann Sebastian Bach and the new standard in editing for this genre. Musicologist Thomas Daniel, a well-known specialist for the topic of Bach chorales, divided the chorales in two parts of about equal length: Chorales from cantatas, motets, and passions that were confirmedly…

The Complete Chorales are an Urtext edition of all four-part chorales by Johann Sebastian Bach and the new standard in editing for this genre. Musicologist Thomas Daniel, a well-known specialist for the topic of Bach chorales, divided the chorales in two parts of about equal length: Chorales from cantatas, motets, and passions that were confirmedly written by Bach are found in the first part, whil…

Par RAFF JOACHIM. When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany’s most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he …

Par RACHMANINOV SERGEI. Large lines, catchy melodies and romantic sounds characterize Rachmaninoff’s legendary Second Piano Concerto. The composer played the premiere himself in Moscow in October 1901. The work quickly achieved international popularity, making it one of today’s most famous and most performed piano concertos ever. With this lasting success, Rachmaninoff had finally broken a prolong…

Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach’s Magnificat BWV 243 is opulent festive music that in many respects represents a special feature in his œuvre. The first version (in E-flat major, BWV 243.1) was premiered only one month after Bach took up his post as Thomaskantor in Leipzig in 1723. In the same year, Bach adds the four Christmas interludes, so-called Lauds, and performs the expande…

Suite In Alterer Form. Par RAFF JOACHIM. / Date parution : 2024-01-06/ Répertoire / Quatuor à Cordes

Par MAHLER GUSTAV. Mahler’s Ninth sings of beauty, love and impermanence “World! Farewell!” noted Mahler above the final measures. His last completed symphony embraces the world of yesterday, while pushing the door wide open to the modern age. The composition, created in a “mad urgency and haste,” had already posed puzzles for his copyists. While Mahler was able to clarify some of them already in …

Par CAMPOGRANDE NICOLA. The score is inspired by the urban gardens that are becoming a new, exciting presence in our cities. In such a setting I imagined the piano as an urban memory and the string trio as a green, vegetal presence that surrounds it. Doing that, I created in my mind three special places to develop the different movements of the score. The first is indeed ideally On a Concert Hall …

Par MENDELSSOHN-BARTHOLDY FELIX. Certainly Robert Schumann was right when he stated soon after Beethoven’s death that the latter’s conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssoh…

By Hugo Distler. For mixed choir. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).

By Helmut Lachenmann. For percussion, orchestra. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).

By Jeremiah Clarke. For trumpet, piano. This edition: paperback. 20 pages. Published by Breitkopf and Haertel (German import).

By George Frideric Handel. For trumpet, strings, basso continuo. This edition: paperback. 60 pages. Published by Breitkopf and Haertel (German import).

By Gaetano Donizetti. For Oboe, Piano. This edition: attached. 8 pages. Published by Breitkopf and Haertel (German import).

By Johann Nepomuk Hummel. For flute, cello, piano. This edition: paperback. 40 pages. Published by Breitkopf and Haertel (German import).

By Michail Glinka. For viola, piano. This edition: paperback. 36 pages. Published by Breitkopf and Haertel (German import).

By Samuel Coleridge-Taylor. For Clarinet, 2 Violin, Viola, Cello. This edition: paperback. 68 pages. Published by Breitkopf and Haertel (German import).

By Julius Klengel. For violoncello. This edition: paperback. Edition Breitkopf. 40 pages. Published by Breitkopf and Haertel (German import).

By Francois Devienne. For bassoon, violin, viola, cello. This edition: paperback. 64 pages. Published by Breitkopf and Haertel (German import).

By Joseph Bodin De Boismortier. For bassoon, basso continuo. This edition: paperback. 26 pages. Published by Breitkopf and Haertel (German import).

By Adriana Holszky (1953-). For accordion. Edition Breitkopf. Performance parts. 20 pages

By Louis Spohr. For Clarinet, Orchestra. This edition: paperback. 24 pages. Published by Breitkopf and Haertel (German import).

(double bass (based on the new complete edition)). By Ludwig van Beethoven (1770-1827). Edited by Armin Raab. For orchestra. This edition: contrabass. Breitkopf Orchestral Library. Individual part, Urtext. 12 pages

(violin 2). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For Oboe, Violin (2 Violins), Strings. This edition: violin 2 part. Breitkopf Orchestral Library. Individual part, Urtext. 8 pages

(Viola 1). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For Oboe, Violin (2 Violins), Strings. This edition: viola part. Breitkopf Orchestral Library. Individual part, Urtext. 8 pages

(cello or contrabass). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For Oboe, Violin (2 Violins), Strings. This edition: cello/double bass part. Breitkopf Orchestral Library. Individual part, Urtext. 8 pages

(solo - oboe). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For Oboe, Violin (2 Violins), Strings. This edition: solo oboe part. Breitkopf Orchestral Library. Individual part, Urtext. 8 pages