| Streichquartette Nr. 6-8 Op. 192 Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf and Hartel
Par RAFF JOACHIM. When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany’s most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he …
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| Violinsonate Nr. 1 E-moll Op. 73 Violon et Piano [Partition] Breitkopf and Hartel
Par RAFF JOACHIM. The Violin Sonata No. 1 in E minor, op. 73, a “Grand Sonata for Violin and Piano,” occupies an important position in Joachim Raff’s oeuvre: it reflects numerous artistic, aesthetic, biographical, and reception-historical aspects characteristic of Raff. The work was composed in Weimar in 1854, when Raff was going through a process of artistic self-discovery. He increasingly distan…
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| Concerto for Piano and Orchestra No. 2 in C minor Op. 18 Piano et Orchestre [Conducteur] Breitkopf and Hartel
Par RACHMANINOV SERGEI. Large lines, catchy melodies and romantic sounds characterize Rachmaninoff’s legendary Second Piano Concerto. The composer played the premiere himself in Moscow in October 1901. The work quickly achieved international popularity, making it one of today’s most famous and most performed piano concertos ever. With this lasting success, Rachmaninoff had finally broken a prolong…
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| Sonata BuxWV Anh Orgue et Viole de Gambe [Partition] Breitkopf and Hartel
Par BERTALI ANTONIO / BUXTEHUDE DIETRICH. Dieterich Buxtehude was an accomplished viola da gamba player. This is shown not only by the famous portrait of the Domestic Music Scene by Johannes Voorhout (1674), but above all by his compositions. Buxtehude’s affinity with the viola da gamba is evident in the demanding soloistic tasks that he assigned to the six-stringed instrument, most of which push …
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| Magnificat D-dur BWV 243 SSATB Solistes, SSASTB et Orchestre [Conducteur] Breitkopf and Hartel
Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach’s Magnificat BWV 243 is opulent festive music that in many respects represents a special feature in his œuvre. The first version (in E-flat major, BWV 243.1) was premiered only one month after Bach took up his post as Thomaskantor in Leipzig in 1723. In the same year, Bach adds the four Christmas interludes, so-called Lauds, and performs the expande…
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| Streichquartette Nr. 6 D-dur Op. 192/2 Quatuor à Cordes [Set de Parties séparées] Breitkopf and Hartel
Die Schone Mullerin - Cyklische Tondichtung. Par RAFF JOACHIM. / Date parution : 2024-01-06/ Répertoire / Quatuor à Cordes
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| Streichquartette Nr. 6 C-moll Op. 192/1 Quatuor à Cordes [Set de Parties séparées] Breitkopf and Hartel
Suite In Alterer Form. Par RAFF JOACHIM. / Date parution : 2024-01-06/ Répertoire / Quatuor à Cordes
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| Ruy Blas C-moll Op Orchestre [Conducteur] Breitkopf and Hartel
Par MENDELSSOHN-BARTHOLDY FELIX. The Overture to Ruy Blas, Felix Mendelssohn Bartholdy’s last overture, was not composed as an autonomously conceived score, but as the opening piece of a stage work. Nevertheless, its immediate success at the Leipzig first performance in 1839, as well as the fact that no further contributions to Victor Hugo’s drama followed from Mendelssohn’s pen soon made it well …
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| Symphonie Nr Orchestre [Conducteur] Breitkopf and Hartel
Par MAHLER GUSTAV. Mahler’s Ninth sings of beauty, love and impermanence “World! Farewell!” noted Mahler above the final measures. His last completed symphony embraces the world of yesterday, while pushing the door wide open to the modern age.
The composition, created in a “mad urgency and haste,” had already posed puzzles for his copyists. While Mahler was able to clarify some of them already in …
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| Streichquartette Nr. 6 C-dur Op. 192/3 Quatuor à Cordes [Set de Parties séparées] Breitkopf and Hartel
Suite In Canonform. Par RAFF JOACHIM. / Date parution : 2024-01-06/ Répertoire / Quatuor à Cordes
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| Urban Gardens Quatuor avec Piano [Set de Parties séparées] Breitkopf and Hartel
Par CAMPOGRANDE NICOLA. The score is inspired by the urban gardens that are becoming a new, exciting presence in our cities. In such a setting I imagined the piano as an urban memory and the string trio as a green, vegetal presence that surrounds it. Doing that, I created in my mind three special places to develop the different movements of the score.
The first is indeed ideally On a Concert Hall …
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| Six Part-Songs Choeur de Femmes a Cappella Breitkopf and Hartel
Par SIBELIUS JEAN. This collection of Six Part-Songs for Female Voices contains six relatively different pieces that vary both in the language of their texts (Finnish and Swedish) and in length and number of voices. Nevertheless, they form a coherent and interesting set of moderate difficulty throughout, making Sibelius as a composer accessible to smaller female choirs and ensembles.
The pieces w…
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| Ouverture C-dur Op Orchestre [Conducteur] Breitkopf and Hartel
Par MENDELSSOHN-BARTHOLDY FELIX. Certainly Robert Schumann was right when he stated soon after Beethoven’s death that the latter’s conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssoh…
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| Sonatine Contrebasse, Piano (duo) [Partition] Breitkopf and Hartel
Par BREUER PAUL. / Date parution : 2024-04-27/ Répertoire / Contrebasse et Piano
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| Leipziger Ausgabe der Werke von Mendelssohn Orchestre de chambre Breitkopf and Hartel
Serie III Bd. 8 Kammermusikwerke Weiterer Besetzungen. Par MENDELSSOHN-BARTHOLDY FELIX. With the exception of the works for violin or violoncello and piano, to each of which a separate volume is devoted, all of Mendelssohn's other works for one or two instruments with piano are collected in this volume. Mendelssohn did not have any of these works printed.
They are the viola sonata MWV Q 14, compos…
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| Sämtliche Klavierwerke, Band 7 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf and Hartel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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| Piano Concerto In C Major K. 467 Piano seul Breitkopf and Hartel
Concertos pour piano de Mozart de Henle et Breitkopf: la naissance d'un projet En 2006, le Henle-Verlag a lancé un projet ambitieux: une réduction pour piano András Schiff aux concertos K. 453, 467 et 488. Au cours des années à venir, tous les concertos pour piano de Mozart sera publié dans les éditions urtext complètement nouveaux. En coproduction avec Breitkopf and Härtel, concertos sélectionnés…
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| Sämtliche Klavierwerke, Band 2 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf and Hartel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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| Sämtliche Klavierwerke, Band 5 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf and Hartel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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