| Three miniatures for string orchestra (FOUGSTEDT NILS-ERIC) Orchestre à Cordes Fennica Gehrman
Kolme pienoiskuvaa jousiorkesterille. Par FOUGSTEDT NILS-ERIC. Nils-Eric Foustedt's bright and playful three-movement suite for string orchestra was composed in 1953. This product includes the full score and a set of parts (33221). / Date parution : 2022-12-12/ Répertoire / Orchestre à Cordes
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| Suite for Helena (KARLSSON LARS) Quintette à Vent [Conducteur et Parties séparées] Fennica Gehrman
Svit för Helena för blåskvintett. Par KARLSSON LARS. Lars Karlsson's Suite for Helena (Svit för Helena, 1994) for wind quintet is built on folk tunes from his native Åland Islands. In five movements, it takes a form from classical models (French suite, fuga, scherzo) and also of 'family diary' describing the first steps of a baby boy (David's promenade), the bird sounds at the sea next to beloved …
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| A Wilderness of Sea (FREEMAN ALEX) Chorale SATB Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman's A Wilderness of Sea (SSSSAAAATTTTBBBB) draws from four of Shakespeare?s most famous works. It emphasizes a common thread among those works that addresses two of the most universal aspects of human existence: water and impermanence. The recording of the work by Helsinki Chamber Choir conducted by Nils Schweckendick is published by the label BIS - follow the link to …
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| Pan and the Nymph Pitys (WESSMAN HARRI) Flûte et Guitare [Partition] Fennica Gehrman
Towards the Night for flute and guitar. Par WESSMAN HARRI. Harri Wessman's Pan and the Nymph Pitys (1979) for flute and guitar bears the first symptoms of his later style, the texture being softly dissonant. In an old mythological dictionary the composer found that Pan had had some love affair with an other nymph than famous Syrinx as well, with Pitys (greek pine-tree). So the listener may think o…
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| Sonata for solo violin (LINJAMA JYRKI) Violon [Partition] Fennica Gehrman
Allerheiligentag V. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: 'The cho…
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| Lähi for violin and clarinet (MAENPAA ROOPE) Clarinette, Violon (duo) [Partition] Fennica Gehrman
Par MAENPAA ROOPE. Roope Mäenpää's Lähi (Finnish for ?near?, ?close by?) for violin and clarinet was composed for Anna Angervo and Janne Pesonen in a situation when the COVID-19 pandemic had shut down most of the society in the spring 2020. Lähi is a diary-entry like vignette, a picture of a moment, of the fear and anxiety caused by the sudden situation - but also a sounding memory of intimacy and…
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| The Wind Wants (PIETILA ESA) Quintette à Vent [Conducteur et Parties séparées] Fennica Gehrman
Par PIETILA ESA. Esa Pietilä's The Wind Wants for wind quintet examins various kinds of wind: 'A balmy summer breeze suddenly gives way to an autumn gale that blows with all its might, whips round corners, forms flurries and howls in the treetops', describes the composer. The work includes improvisational episodes, the duration is c. 16 minutes. This product includes the score and parts. Have a lo…
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| Sonata for Violin and Piano (KILPINEN YRJO) Violon et Piano [Partition] Fennica Gehrman
Viulusonaatti. Par KILPINEN YRJO. Yrjö Kilpinen (1892-1959) is most known for his hundreds of lieds and song cycles. His instrumental compositions have been less know, ie. the six piano sonatas and suite for gamba and piano. Large-scale Sonata for violin and piano is dated in 1935 with opus number 87. The work was never finished, and National Library in Helsinki holds several sketches and versions…
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| Concerto for flute and orchestra (1985) Flûte traversière et Piano [Partition] Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered…
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| Mien (WENNAKOSKI LOTTA) Quintette à Vent [Conducteur et Parties séparées] Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski's Mien (2014) for wind quintet is based on rippling, wavering, timbre changing effect of bisbigliando. The good-humoured piece has a swinging jingle, and with duration of approximately 5 minutes is suitable for many kinds of programming. Mien was premiered in February 2015 by the wind quintet of the Lapland Chamber Orchestra. This product includes the full sc…
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| Kiurun portaat (KUUSISTO ILKKA) Voix Soprano, Piano Fennica Gehrman
Song cycle to poems by Einari Vuorela - Soprano and piano. Par KUUSISTO ILKKA. Ilkka Kuusiston laulusarja Kiurun portaat (1978) on sävelletty Einari Vuorelan (1889?1972) runoihin. 1. Kattoja häämöittää [f1-g2] 2. Tuuli henkäilee herkästi [f1-as2] 3. Aavistelen sointuja [e1-a2] 4. Tuuli on keksinyt soinnun [c2-g2] 5. Jossain kirkkauden maassa [fis1-g2] Kesto / duration: c. 12' Laulusarja löytyy lev…
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| Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI) Piano Quatuor: piano, violon, alto, violoncelle Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, i…
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| Kreutzerini (SZILVAY GEZA) Alto seul [Partition] Fennica Gehrman
42 Finger Exercises for perfect intonation in the first position. Par SZILVAY GEZA. Géza Szilvay's Kreutzerini, here adapted for viola by David Banney, consists of 42 finger exercises for perfect intonation in the first position. These mini-studies were created to make learning and teaching 'ear-led finger-stopping movements' even more effective and enjoyable with inventive and resourceful use of …
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| Bloom (MAENPAA ROOPE) Tuba et Piano [Partition] Fennica Gehrman
Par MAENPAA ROOPE. Roope Mäenpää's (b. 1990) impressionistically flowing Bloom (2000) flourishes in three versions, all of them included in this product: versions for euphonium and piano, tuba and piano and a version for solo euphonium. The work was commissioned as a graduation gift for tuba player Nuppu Salmiovirta. Duration: c. 6' / Date parution : 2022-05-31/ Répertoire / Tuba et Piano
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| Concerto no (AHO KALEVI) Violoncelle, Piano Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This …
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| Colourstrings Violin ABC (SZILVAY GEZA) Violon [Partition] Fennica Gehrman
Piano accompaniments for book G5. Par SZILVAY GEZA. The volume G of the Colourstrings Violin ACB tutors by Géza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniment…
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| Päärme / Hem for piano trio (WENNAKOSKI LOTTA) Piano Trio: piano, violon, violoncelle Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. Th…
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