Par BACH JOHANN SEBASTIAN. Arranger's Note - An edition of music, like anything else, is a product of its own time. During the 1980s, guitarists of my generation were starting to become aware of stylistic concerns in the interpretation ofearly music. There was a movement towards stylistic authenticity, an attempt to re-discover the original intentions of early composers and recreate the aesthetic …

Par . ?Showpieces? provide opportunities for pianists to display their skills and elicit the ?Wow!? response from an audience. The anticipation of acquiring virtuosity is highly motivating for piano students because there is a special thrill in experiencing the sound and feel of playing showpieces, as well as having the admiration of listeners! The music of Ovation, Books 1 and 2 was selected with…

Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') is No. 2 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (…

Chanarcito, Chanarcito' (A Thorny Bush) is No. 3 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your…

Par . ?Showpieces? provide opportunities for pianists to display their skills and elicit the ?Wow!? response from an audience. The anticipation of acquiring virtuosity is highly motivating for piano students because there is a special thrill in experiencing the sound and feel of playing showpieces, as well as having the admiration of listeners! The music of Ovation, Books 1 and 2 was selected with…

Par HENCH JYOTI. This collection of ten piano solos is a musical celebration of outdoor sights and activities, including hiking, camping, forest animals, and more. The music encourages elementary pianists to combine imagination and technique as they connect with the beauty of nature. Particular emphasis is placed on keyboard exploration, varied articulation, and pedal technique. / Date parution : …

Par SUKNOV LARISA. Stir your students’ imagination while expanding their musical horizons! Colorful and descriptive music depicting scenes of an imaginary pirate’s life using minor keys (except for one). Diverse piano solos great for developing the left hand and articulated performances. Five of the twelve pieces are in 6/8 meter. / Date parution : 2022-02-10/ Recueil / Piano

Par . Designed to supplement the Older Beginner Piano Course Level 1. The arrangements are accessible to the beginning pianist, and the timeless appeal of these well-known themes will provide hours of enjoyment for the pianist.Arranged for piano by James Bastien. / Date parution : 2023-03-28/ Recueil / Piano

Par YEAGER JEANINE. A full range of keyboard sounds is utilized by this respected composer in her arrangements. She includes a rich use of the pedal in melding harmonies and creating magical new interpretations of familiar hymns. Includes one original work (?Rejoice!?) along with seven touching hymn arrangements appropriate for worship services as preludes, offertories, or postludes. / Date paruti…

Par BOBER MELODY. This collection of eight intermediate to late intermediate level piano solos is full of contrasts indeed! It is chock-full of student favorites which are also useful for recitals and festivals! Dreamland features a rather dramatic melody accompanied by arpeggiated left-hand chords. Set Sail! and Whirlwind Fantasy are lively and brisk tarantellas in 6/8 time. Straight River Rag is…

By Michael Praetorius (1571-1621). Edited by Donald Story. For SSA/2-Part/Unison Choir. Sacred. Grade 2. Choral octavo

By Albert Johnson. For SATB choir (SATB). Secular. Grade 3. Choral octavo

By Ludwig van Beethoven (1770-1827). Edited by Owen Goldsmith. For TTBB Choir (TTBB). Secular. Grade 3. Choral octavo

Edited by Dallas Weekley. For piano, 4-hands. Piano. Center Stage Solos & Duets. Music Book. Published by Neil A. Kjos Music Company.
Level: Late Elementary.

By Robert Frost. Orchestral Collection/Ensemble. Especially for Strings. Level: Grade 2. Music Book. Published by Neil A. Kjos Music Company.

By Frank Halferty. For SAB choir (SAB). Secular. Grade 2. Choral octavo

By Carl Bolle. Edited by Curtis Hansen. For SATB choir (SATB). Sacred. Grade 2. Choral octavo

By Joy Patterson. For SATB choir (SATB). Sacred. Grade 3. Choral octavo

By Marsh. Edited by Carolyn Jennings. For SSA/2-Part/Unison Choir. Sacred. Grade 2. Choral octavo

By Jane Smisor Bastien. Bastien Piano. Very Young Pianist Library. Music Book. Published by Neil A. Kjos Music Company.
Level: Book B,2.

By Edward Thomas. For SAB choir (SAB). Secular. Grade 2. Choral octavo

By James McLeod. For Brass. Solos/Ensembles. Grade 3. Music Book

By Karyn Quinn. For Electric Bass. Contemporary Combo Series. Book A,1. CD

By Nancy Arganbright. Edited by Dallas Arganbright. For 1 Piano four-hands. Performance CD. Music Recording. Published by Neil A. Kjos Music Company.

By Paul Yoder. For Concert Band. March-Size Music. Score

By Owen Reed. For Concert Band (SATB). Grade 6. Choral octavo

By Owen Reed. For Concert Band. Grade 6. Score and set of parts

By Richard Edstrom. Choral. Choral Books. Music Book. Published by Neil A. Kjos Music Company.