| Ukulele For Dummies Ukulele [Partition + Accès audio] Wiley Publishing, Inc
The fast and easy way to learn how to play the ukulele With the help of Ukulele For Dummies, learning to play this popular string instrument at a basic level has never been easier. Now in a fully updated second edition, this hands-on, friendly guide provides everything you need to know to pick up a uke and get playing fast. From purchasing a ukulele and the necessary accessories to making sense of… 29.50 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Concertino G Major, Op. 11 Violon Et Ensemble de Cordes Schott
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons.Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for …
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| Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
46.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Agrippina Hwv 6 -Opera In Three Acts- Piano, Voix Barenreiter
Handel's 'Agrippina? HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and this vocal score.'Agrippina? is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly co…
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| Dido and Aeneas Solistes, SATB et Piano Bärenreiter
Par PURCELL HENRI. The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at …
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| Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
46.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Stabat Mater In G Minor D 175 (SCHUBERT FRANZ) Chorale SATB SATB, Piano [Partition] Barenreiter
Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. Franz Schubert's 'Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.
This edition is based on the sole surviving source, the composer's autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the …
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| Violin Sonatas, Fragments Violon et Piano G. Henle
This Urtext edition contains rewarding discoveries for all lovers of Mozart. Mozart left behind a total of eight unfinished works for piano and violin, predominantly discontinued sonata movements. The music is so wonderful that we have published a separate volume with this group of works - all of which (aside from a fragment in the appendix to our edition) have been completed so that they can be p…
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| Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
46.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
46.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue [Conducteur] Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
46.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Debussy Claude - Premiere Rhapsodie Pour Orchestre Avec Clarinette Principale En Si - Clarinette and P Clarinette, Orchestre Barenreiter
Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particul…
16.90 EUR - Expédié par Woodbrass Délais: Sur commande |
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| Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Songs II For Low Voice And Piano Piano, Voix Barenreiter
Following the publication of Dvorák's early set of love songs 'Cypresses?, all his other songs with piano accompaniment are now appearing in Urtext editions.'Songs II? includes the mature works from Dvorák's late period. Besides the well-known cycle 'Love Songs? and the less well-known cycle 'Three Modern Greek Songs?, the volume also contains some entirely unknown and previously unpublished piece…
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| Jesu, Meine Freude (BACH JOHANN SEBASTIAN) Choeur Mixte (SSATB) et Instruments Ad Libitum [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. All of Bach ’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions …
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