Par VAN DER ROOST JAN. Jan van der Roost’s new work Jubilus will make an ideal opening piece for any event. It is in a classical ABA form, beginning with a rising brass fanfare which is quickly replaced by a contrasting expressive lyrical theme. The two themes alternate for a few seconds until an exciting new atmosphere is created with the lively allegro. This eventful piece lets you show off many…

Obligatory Pieces For The Intermediate Saxophonist. All the pieces in this book have been selected from the Méthode Complète by H. Klosé. Practically every saxophonist with a classical education comes across these pieces during his or her studies. Over the years, their value has been proven from a musical as well as a technical perspective. However, this music never had a piano accompaniment - whi…

Un coffret contenant les trois premiers albums de ces gallois : 'Word Gets Around', 'Performance and Cocktails' et 'Just Enough Education to Perform'. Les trois volumes contiennent toutes les chansons de ces albums en tablature de guitare et notation standard, arrangées au niveau standard intermédiaire. / Guitare / Partition

Italian composer Franceso Paolo Tosti (1846-1916) wrote more than 350 songs, among which were favorites of famous singers, from Caruso and Tetrazzini in his day to Pavarotti and Carreras in ours. With a direct and simple grace and sensual Italianate vocal lines, his works were in some ways an art music reply to the Neapolitan folk tradition. Featuring 30 Tosti songs available for the first time in…

Par BARTOK BELA. Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from 'Imitation and Inversion,' 'Ostinato,' and 'Fr…

Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…

Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the …