Par ARLEN HAROLD. This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tune. Solo space is provided for tenor sax and trumpet before the roar of the full ensemble is unleashed in a double-time swing shout chorus. This chart is a powerhouse! / Date parution…

Les 2.000 lèche dans ce livre sont organisés en 36 chapitres. Ces chapitres explorent les différentes hauteurs, rythmes, des techniques et des méthodes de formulation trouvés dans le blues et le blues aux influences solos de guitare et les remplissages.Utilisez ces lèche pour offrir lourds, et pourtant l'oreille capture riffs. Ceux-ci peuvent être joué avec les pistes d'accompagnement sur ??les 43…

Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine kleine NachtMusick' is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing 'Don Giovanni', a time when he was celebrating his greatest success as an opera composer. The work is…

10 refreshing hymn settings with a touch of light jazz. Gentle on the ear and enriching to the soul, these arrangements are well-suited for church services, recitals or personal enjoyment. Includes a foreword by Joseph M. Martin and Mark Hayes. Titles include: Down at the Cross (Glory to His Name) · I Will Sing of My Redeemer · Jesus Paid It All · Let Us Break Bread Together · Near to the Heart of…

Beginning with an unresolved emotion and motive, 'Finding a Way' travels through many emotions looking for a way to find resolution and comfort, conveying an uplifting and hopeful spirit that ultimately finds peace. When healing has had a chance to occur, sadness and sorrow can become replaced with delight and excitement of our memories. The piece concludes with a restatement of the opening, quest…

Par MACONCHY ELIZABETH. Two Carols by Elizabeth Maconchy comprises two songs for unaccompanied upper voices: I sing of a maiden and This day, both originally conceived in 1966, with words from fifteenth-century texts. While contrasting in character, both embody a richly expressive harmony, with opportunity in each for the upper soprano part to be sung solo (or by a small group of voices, if prefer…

Par DE HAAN JAN. Silly Scales was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a ‘real band’ after only a few lessons. Because of the four-part instrumentation, Silly Scales is suitable for smaller strengths, taking into account that it is important to divide parts evenly among the…

Par DE HAAN JAN. The Syncopated Band Parade was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a ‘real band’ after only a few lessons. Because of the four-part instrumentation, The Syncopated Band Parade is suitable for smaller strengths, taking into account that it is important to d…

Par DE HAAN JAN. Cyclist in Moscow was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a ‘real band’ after only a few lessons. Because of the four-part instrumentation, Cyclist in Moscow is suitable for smaller strengths, taking into account that it is important to divide parts evenly…