Le genre du concerto pour violoncelle est né en Italie du 17e siècle. Merci au compositeur vénitien Antonio Vivaldi (1678-1741), il existe aujourd'hui non seulement une multitude de magnifiques concertos pour violon, mais aussi un certain nombre de concertos de violoncelle au développement duquel il a largement contribué. Plus de deux douzaines de ses concertos sont dédiés à la violoncelle, y comp…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in …

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in …

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in …

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in …

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