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Viola School Vol.3 (SUZUKI SHINICHI)
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Viola School Vol.3 (SUZUKI SHINICHI)
Alto, Piano [Partition]
Alfred Publishing
Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher, a great deal ongoing education is required. Your national Suzuki association provides this for its mem…

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Tango Passion (DIVERS AUTEURS (ARR)
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2 vendeurs
Tango Passion (DIVERS AUTEURS (ARR)
2 Violoncelles (duo)
Universal Edition
8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Authentic tango classics arranged as duets of medium difficulty for 2 cellos - this edition includes the famous tunes of some of the greatest tango compositions the world has ever heard. Tango is full of life and passion - the fact that this love affair of music and rhythm has not lost any of its fascination is demonstra…

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Suite: Pictures At An Exhibition (1874) (Tableaux d'une exposition) (MUSSORGSKY MODEST)
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Suite: Pictures At An Exhibition (1874) (Tableaux d'une exposition) (MUSSORGSKY MODEST)
Piano seul [Partition]
Stainer and Bell
Par MUSSORGSKY MODEST. The death in 1873 of Mussorgsky's friend Victor Hartmann was the stimulus for the initial creation of what was to become one of the most vividly colourful works in the orchestral repertoire. However, Mussorgsky's original piano version of Pictures At An Exhibition was not even published until 5 years after his death, and remained almost unknown until Ravel's masterful orches…
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Premiers Solos Concertos Classiques:N022 Violon Et Piano (VIOTTI GIOVANNI BATTISTA / CATHERINE)
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Premiers Solos Concertos Classiques:N022 Violon Et Piano (VIOTTI GIOVANNI BATTISTA / CATHERINE)
Violon et Piano [Partition]
Leduc, Alphonse
Concerto no. 22 (Viotti). Par VIOTTI GIOVANNI BATTISTA / CATHERINE. Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which rema…
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Pigmalion Rct 52 (RAMEAU JEAN-PHILIPPE)
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Pigmalion Rct 52 (RAMEAU JEAN-PHILIPPE)
Choeur et Orchestre [Partition]
Barenreiter
Conducteur Avec Couverture Rigide. Par RAMEAU JEAN-PHILIPPE. 'Pigmalion” was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra. From its very first revival, 'Pigmalion” was highly successful, and remained so until 1781. The new edition by Nathalie Berton-Blivet is ba…
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Peacherine Rag (JOPLIN SCOTT)
Educatif [Conducteur et Parties séparées]
Fentone Music
String Quartet. Par JOPLIN SCOTT. First published in 1901 this rag has remained one of the most popular of Joplin's distinctive ragtime pieces. This version for string quartet is fun to play and will make a delightful concert encore item. / Niveau : Intermédiaire / Répertoire / Educatif

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Neefe 6 Easy Pieces (1 Piano 4 Hands)
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Neefe 6 Easy Pieces (1 Piano 4 Hands)
1 Piano, 4 mains
Alfred Publishing
The Six Easy Pieces arranged by German composer, conductor, and organist Christian Gottlob Neefe (1748--1798) are inspired by the original vocal/orchestral score of The Magic Flute. These pieces are idiomatic piano duets (one piano, four hands) that remain faithful to the original composition. Filled with wit and charm, they contain many of the memorable elements of the opera: Papageno's magic bel…
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String Quartet No. 10 In E-Flat Major Op. 51 Study Score (DVORAK ANTONIN)
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String Quartet No. 10 In E-Flat Major Op. 51 Study Score (DVORAK ANTONIN)
Quatuor à cordes: 2 violons, alto, violoncelle [Partition]
Barenreiter
Arrangeur: Hartmut Schick. Par DVORAK ANTONIN. When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák. The authoritative Dvorák scholar Hartmut Schick has…
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Oeuvres Completes Pour Clavier Vol.10 Sonates K458 A K506 Lp40 (SCARLATTI / GILBERT)
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Oeuvres Completes Pour Clavier Vol.10 Sonates K458 A K506 Lp40 (SCARLATTI / GILBERT)
Clavier [Partition]
Heugel
Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconven…
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Piano Exam Pieces Plus Exercises 2023 Grade 4
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Piano Exam Pieces Plus Exercises 2023 Grade 4
Piano seul [Partition]
Trinity College London
12 Pieces for Trinity College London Exams from 2023. Par . This book contains 12 newly selected pieces for Trinity Piano Grade 4 exams from 2023, carefully chosen, graded and edited by a panel of experts, along with informative performance notes to help students and teachers get the most out of the repertoire. It also includes the technical exercises required for the exam, which have been newly c…

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Valse Oubliée #1 (LISZT FRANZ)
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Valse Oubliée #1 (LISZT FRANZ)
Piano seul [Partition]
G. Henle
Par LISZT FRANZ. In summer 1881 Franz Liszt composed a work that he called “ Valse Oubliée ” (Forgotten waltz) in a letter to his publisher. The work is reminiscent of the appealing Piano waltzes that the composer usedto write when he was younger – although there is a certain distance to the usual waltz style. Liszt by no means renounces virtuosity and elegance, but rather infuses these characteri…
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 Beethoven L. (van) - Six Great Piano Trios In Full Score
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Beethoven L. (van) - Six Great Piano Trios In Full Score
Piano Trio: piano, violon, violoncelle
Dover Publications
Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the Ghost trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father. Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; t…
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Das Lied von der Erde (MAHLER GUSTAV)
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Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore …
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THE EASY POP/ROCK FAKE BOOK
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THE EASY POP/ROCK FAKE BOOK
Ligne De Mélodie, (Paroles) et Accords [Fake Book]
Hal Leonard
Par . Here are 100 top pop/rock songs that are easy to learn and play. All are in large notation and in the key of C, with lyrics and simplified chords that remain true to each tune. / Niveau : Facile / Date parution : 2022-12-08/ Recueil / Mélodie, Paroles et Accords

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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
Soprano, Alto, Cordes et Basse Continue
Vigormusic
Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately r…
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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
Soprano, Alto, Cordes et Basse Continue [Conducteur et Parties séparées]
Vigormusic
Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately r…
104.70 EUR - Expédié par LMI-partitions
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Oeuvres Completes Pour Clavier Vol.01 Sonates K1 A K52 Lp31 (SCARLATTI / GILBERT)
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Oeuvres Completes Pour Clavier Vol.01 Sonates K1 A K52 Lp31 (SCARLATTI / GILBERT)
Clavier [Partition]
Heugel
Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconven…
26.10 EUR - Expédié par LMI-partitions
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Kalanus Op. 48 (GADE NIELS WILHELM)
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Kalanus Op. 48 (GADE NIELS WILHELM)
Orchestre [Partition]
Barenreiter
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloists, choir and orchestra” op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had…
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Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
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Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
Violon et Piano [Partition]
Choudens
Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral, or Piano accompaniment. The appeal of the Carmen fantasy, with which this collection opens, has remained the most enduring but, perhaps reflecting the varying fortunes with audiences of the operas themselves, settings of Gounod’s …
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