Par REICHARDT JOHANN FRIEDRICH. If he is known at all, then generally Reichardt is known primarily as a Lied composer. This first edition of the full score of the Weihnachtskantilene makes this work for large ensemble once again accessible. This simple, homophonic setting in 16 movements is scored in some sections for double choir, whereby the higher choir can be performed effectively by a childre…

Par REICHARDT JOHANN FRIEDRICH. If he is known at all, then generally Reichardt is known primarily as a Lied composer. This first edition of the full score of the Weihnachtskantilene makes this work for large ensemble once again accessible. This simple, homophonic setting in 16 movements is scored in some sections for double choir, whereby the higher choir can be performed effectively by a childre…

Par REICHARDT JOHANN FRIEDRICH. If he is known at all, then generally Reichardt is known primarily as a Lied composer. This first edition of the full score of the Weihnachtskantilene makes this work for large ensemble once again accessible. This simple, homophonic setting in 16 movements is scored in some sections for double choir, whereby the higher choir can be performed effectively by a childre…

Par REICHARDT JOHANN FRIEDRICH. If he is known at all, then generally Reichardt is known primarily as a Lied composer. This first edition of the full score of the Weihnachtskantilene makes this work for large ensemble once again accessible. This simple, homophonic setting in 16 movements is scored in some sections for double choir, whereby the higher choir can be performed effectively by a childre…

2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orchestra. Par MONTEVERDI CLAUDIO. Scholarly-critical Urtext edition orientated towards performance practice. Detailed critical commentary (Eng) in the full score. Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. These movements are also available with Piano reduction as …

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par WIDOR CHARLES-MARIE. The Chorus Part for Charles-Marie Widor's Messe Pour Deux Choeurs Op. 36. Choir 1: 2 Baritones, Choir 2: SATB Voices. / Musique religieuse / Répertoire / Choeur sans Accompagnement

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…