Par POE LARA. Lara Poe's (b. 1993) good-humoured Contradanse for eight wind instruments employs slightly off-kilter dance rhythms to create a rhythmic background structure to the piece. The melody lines constantly change timbre as they move through different instrumental combinations. Duration: 4'30'' Instruments: Flute Clarinet in B flat 2 Bassoons 2 Trumpets in B flat Tenor Trombone Bass Trombon…

In The Violin Concerto Op. 64 and Chamber Music For Strings. Par BROWN CLIVE. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer…

Musiques pour improvisateurs de début. Les airs plus faciles de Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc.. Obtenir vous-même ou votre combo jazz de début, sounding bonne immédiatement avec la première evegned de faux livre pour l'improvisateur début / Niveau : Facile / Rép International / Recueil / Instrumen…

Easy String Quartets Book 3 is the third volume in this highly popular collection of classics. Each piece has been easily arranged for String Quartet by Watson Forbes , and is designed to give developing string players the chance to rehearse and perform in ensemble as early as possible. Each work is well known and relatively straightforward, enabling the musicians to obtain a sense of achievement …

Edition no.: BA 5692-90ISMN: 9790006535453Volume / Series: Female ChoirEditor: Bruno, MalcolmArranger: Bruno, MalcolmLanguage(s) of work: LatinLanguage(s) of text: English, GermanProduct format: Piano reductionPergolesi?s famous ?Stabat mater?, a work for two soloists, strings and continuo quickly became a success throughout Europe.However there are numerous indications that it was also performed …

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …