Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arra…

Arrangements for string quartet of Romance for string orchestra, op 11 (1928), Elegy for violin and piano, op 22 (1940), and Prelude for string orchestra, op 25 (1940s). Romance (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. Elegy (9 mins) and Prelude (5 mins) were first performed in 2014 by the Maril…

Aus: Drei Motetten. Par MENDELSSOHN-BARTHOLDY FELIX. The 'Three Motets' op. 69, Jubilate Deo, Nunc Dimittis and Magnificat, were originally intended for the Anglican service, with whose rich choral tradition Mendelssohn became familiar on his many visits to England. / Mottet / Répertoire / Solistes SATB et Choeur SATB

In the 1870s, Fauré wrote three songs which, initially, had not been intended as a set, but were later compiled as opus 7, the first being Après un rêve, a romantic, lyrical song. / Cor Et Piano

Arr. Philip Sparke. Par BEETHOVEN LUDWIG VAN. Beethoven’s York’scher Marsch is one of a collection of three tattoos (WoO 18-20) and has had a chequered history, to say the least. There are several autograph copies for different instrumentations, dedicated to different archdukes who were commanders of various regiments of the army including the Prussian regiment called Marsch des Yorkschen Corps, w…

Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 …

Timba: Modern Cuban Conga Rhythms. Par CRUZ TOMAS. Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section and especially the congas. The recordings of Tomás Cruz are considered the most advanced examples of Timba conga-playing an…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…