Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

New edition of four songs by Russian composer Alexander Borodin. The songs were first published by Rob. Forberg. Includes original Russian text, French singing text from the period, and translations to English and German.Available for high voice (three songs in original key) and low/middle voice (two songs in original key). New engraving. / Voix Haute(s) Et Piano

Aus: Drei Motetten. Par MENDELSSOHN-BARTHOLDY FELIX. The 'Three Motets' op. 69, Jubilate Deo, Nunc Dimittis and Magnificat, were originally intended for the Anglican service, with whose rich choral tradition Mendelssohn became familiar on his many visits to England. / Mottet / Répertoire / Choeur SATB

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…

Par BENNETT STEPHEN. Given the number of skilled luthiers and guitarists in evidence today, the current era has come to be known as 'The Golden Age of the Acoustic Guitar”. Among numerous richly talented players, flatpicking/fingerstyle acoustic and harp guitarist Stephen Bennett stands out as both a supreme melodist and groove master. That said- you already have a good idea of the contents of thi…

Trascrizione Per Sestetto D'Archi Di Claus-D. Ludwig (2018). Par PENDERECKI KRZYSZTOF. The original work providing the basis of this arrangement is the Ciaccona for string orchestra dating from 2005 written on the occasion of the death of Pope Johannes Paul II. The composer incorporated the piece into his large-scale oratorio work Polish Requiem as an instrumental interlude. During the following y…

Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies? op. 45 in 1878, initiating his so-called 'Slavonic period?. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number. Now the 'Slavonic Rhapsodies? are being issued separately in scholarly-critical editio…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…