Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which…

Par RIPPERT / BERNOLIN. Petits Airs à deux Dessus (for 2 recorders, or 2 flutes, or 2 oboes, or 2 violins)/ Répertoire / 2 Flûtes à Bec ou Traversières, Hautbois et Violon

Par BACH JOHANN SEBASTIAN. Wind and Brass/ Répertoire / 2 Violons et Piano

Quintet in Five Movements. Par ROREM NED. Flute, 2 Violins, Cello, Piano (parts). Rorem, N/ Répertoire / Flûte Traversière, 2 Violons, Violoncelle et Piano

for String Orchestra Score. This toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass. The viola section provides a strongrhythmic drive. This work was written and published in 1860 while Bares was still enslaved. Not only is it a strong example of a composition by a …

Par MOZART WOLFGANG AMADEUS. Allegro in B-flat major of a Quintet for Clarinet, two Violins, Viola and Violoncello K. Anh. 91 (516c). This Allegro fragment was possibly sketched in 1787 two years before composition of the A major Clarinet Quintet K. 581. It is 93 bars long and is complete in all instrumental parts but was abandoned abruptly at the bottom of the fourth page. The distinguished Mozar…

23 blockbuster hits in easy duet arrangements for two instrumentalists are featured in this collection: City of Stars • Footloose • Hallelujah • Moon River • The Pink Panther • Puttin' on the Ritz • Skyfall • That's Amore • and more. Arrangements work for two of the same instrument or can also be used with the other woodwind or brass titles from this series. / Niveau : Facile / Recueil / 2 Violon…

Five Canzoni for two treble instruments (violins, cornetti, recorders) and continuo. Actually, as three of the original 1628 pieces were recomposed by Frescobaldi for the 1634 print, this volume really contains eight pieces, as both version are given of the recomposed works. Score and parts

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The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes …