Par SCHUBERT FRANZ. The piano part has been thoroughly re-worked for this new vocal score of Schubert’s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert’s orchestral score and is at the same time idiomatic piano writing. Bärenreiter’s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already …

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Big Hits' contains arrangements of recent chart hits encompassing a bro…

Fryderyk Chopin Concerto in F minor Op. 21 for piano and orchestra, WN concert version, score Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time ' a farewell. Both are forms of direct expression of the personality of the compos…

12 favourite works from the Romantic era, with authentic orchestral backing tracks. Play along with these 12 Romantic masterpieces! Themes from the greatest composers of the Romantic era are presented here in authentic arrangements. You can recreate the sound of the Romantic era using the accompanying CD, which includes full orchestral backing tracks to play along with. It also contains performanc…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

The jazz ballad 'Theme for Ernie', composed by Fred Lacey, is presented in the arrangement by Jim Snidero for his album 'Strings', featuring alto saxophone, string ensemble and jazz rhythm section.Recommended editions for further study include the corresponding book 'Strings' (ADV7058), which includes the complete transcriptions of the alto saxophone solos of the CD of the same name. / Saxophone …

Par ROBERDAY FRANCOIS / FERRARD. French Baroque organist and composer, François Roberday (1624-1680) is best known today for his Fugues And Caprices collected and published in a superb volume by Le Pupitre. Roberday 's Fugues And Caprices are four-part contrapuntal Organ pieces. Each Fugue is paired with a Caprice on the same subject, and with an exciting 12 Fugues and Caprices included in the col…

The new scholarly-critical edition of the score of Rameau’s “ballet héroïque” Les Indes galantes finally clears up its convoluted source history. At the first performance,on 23 August 1735, it consisted of a prologue and three acts: Le Turc généreux, Les Incas du Pérou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 Septemberof that same year it w…

Two well-known songs for all football fanatics, released for the Euro 2004 championships. All Together Now was originally released by The Farm in 1991. It tells the story of a soccer match held between English and German soldiers during the first world war, and is based on the same chords as Pachelbel's Canon in D. Come On England is based on 'Come On Eileen' by Dexy's Midnight Runners, and was re…

Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number. Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…