for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Professional Books Series/ Recueil / Instruments en Do

This beautiful duet from Monteverdi's opera 'L'Incoronazione di Poppea? is a wonderful addition to the CME Opera Workshop series. This duet, which occurs at the end of the opera, beautifully illustrates Monteverdi's ability to interweave the vocal lines in a harmonically intriguing way. Ann Small's edition features an ornamented return of the first section of the duet with stylistic trills that co…

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christ…

This volume contains favourite Israeli, Hassidic and liturgical songs as well as selections for the Sabbath and Festivals. The arranger, Albert Rozin, has created sensitive settings which are easy to play but which do not sacrifice the flavour of the original harmonies. Organists and guitar players will find little difficulty in playing the songs harmonically by using the chord symbols indicated i…

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christ…

Par SEDLON J.H.. This method, which can be used for any size of instrument, from 12 to 120 bass takes the student rapidly through the fundamentals in a manner to establish self-confidence from the first lesson. This book presents a new and scientifically correct program for mastering finger technique, enabling the accordionist to acquire the brilliant technique of the professional player far more …

Par SEDLON J.H.. This method, which can be used for any size of instrument, from 12 to 120 bass takes the student rapidly through the fundamentals in a manner to establish self-confidence from the first lesson. This book presents a new and scientifically correct program for mastering finger technique, enabling the accordionist to acquire the brilliant technique of the professional player far more …

Par SCHUTZ H.. Published in 1648, Heinrich Schutz's ; Geistliche Chor-Music is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig's revised new text is available (BA 5901/BA 5902). ; Also hat Gott die Welt geliebt & one of the most well-known motets (SWV380) from Heinrich Schutz‘ ; Geistliche Chor-Music is now appearing in a revised separate ed…