Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas for the Sundays after Trinity - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas hav…

Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their…

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular…

Lent and Easter Cantatas. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas ha…

Kantate Zum 4. Advent. Par TELEMANN GEORG PHILIPP. A three-movement work for Advent from Telemann’s annual cycle of cantatas, “Der Harmonische Gottesdienst” [Hamburg 1725/26]. In the two arias Telemann gives the solo singer and also the recorder player ample opportunities for displays of virtuosity. / Date parution : 1991-09-01/ Répertoire / Solo S (T), Flûte à Bec et Basse Continue

Kantate Zum 12. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument [+ a continuo melody instrument ad lib. ]. If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also …

Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which…

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Cantata for the First Sunday of Advent. Par TELEMANN GEORG PHILIPP. The cantata Nun Komm Der Heiden Heiland (TVWV 1:1174) is taken from Telemann ’s cantata cycle of 1717–18. Though festively scored for two Oboes, two Trumpets, Kettledrums, Strings and Basso Continuo, it will not overly strain the financial resources of today’s ensembles. The well-known chorale tune features prominantly in all chor…

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…