Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Par SCHUBERT FRANZ. The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert's artistic evolution from the First Symphony, which develops a theme from Beethoven's Eroica, to the Mozartean Fifth and the romanticism of the 'Great…

Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Magnificat RV 610/611 for soloists, choir, winds, strings and continuo, based on the critical edition by Michael Talbot. Probably meant for a performance at the Pietà, Vivaldi, after its first 1715 version, returned on it in two occasions at least: at the end…

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's characteristic sound and virtuosity. It starts with a slow, nascent music, which gives way to a very fast dance with aksak rhythm in an asymmetrically segmented 8/16 meter. The work was commissioned by and is dedicated to saxophonist Levente Puskás and pianist Judit Váradi, who premiered it in September 2020 in the Hungarian …

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

THE OPERA FROM LETS MAKE AN OPERA. AN ENTERTAINMENT FOR YOUNG PEOPLE INSTRUMENTATION : SOLOISTS, CHOIR, STRING QUARTET, PIANO (4-HÄNDIG) AND PERCUSSION VERSION : VOCAL/PIANO SCORE DESCRIPTION : THIS OPERA IS THE FINAL SECTION OF THE ENTERTAINMENT FOR YOUNG PEOPLE CALLED LETS MAKE AN OPERA. THE FIRST SECTION OF THIS IS IN THE FORM OF A PLAY AND ILLUSTRATES THE PREPARATION AND REHEARSAL OF AN OP…

for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …