Concerto grosso for trumpet, tenor trombone and chamber ensemble. Par SCHNEIDER ENJOTT. The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su …

Par MANOOGIAN V.. Foundations of double stops (šSixths›) / Fundamentos de dobles cuerdas, šSextas› Fundamental left hand technique is base don the release of finger pressure. This basic technique is of extreme importance for it facilitates interval changes and shifting. / Pédagogie / Recueil / Violon

Cette méthode s\'adresse à celles et ceux qui souhaitent découvrir toutes les facettes de la guitare folk, ou plus généralement de la guitare acoustique. Cet ouvrage sera ainsi l?occasion d?aborder aussi bien le jeu aux doigts que le jeu au médiator, et ce au travers d?accompagnements en arpèges ou en accords. L\'utilisation du capodastre, accessoire indissociable de la guitare folk, fera égalemen…

Edition de Frank Dobbins352 pages 220x142mmThe 84 chansons in this collection are mainly for SATB, and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre.SATB unaccompaniedArcadelt: D'un Extreme RegretArcadelt: Je Ne Suis Pas Si TotBeaulaigue: Comme Serait a …

Par YAGISAWA SATOSHI. Satoshi Yagisawa’s Trombone Concerto is both impressive and original at the same time. It features a slow-fast-slow structure with each movement being connected to the next. The second movement, with its rich choralelike writing, is especially noteworthy, bringing out the warmest and most delicate sounds of the trombone. Yagisawa also takes extreme care in how the soloist and…

Driving ostinatos beat a steady 3/4 rhythm under the steadfast melodies in this vivid musical adventure. Cellos and violas are featured. A wide dynamic range and the extreme ranges of the instruments are used for dramatic effect. (2:30) / Orchestre A Cordes

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble…

Par PARADIS PHILIPPE. Si vous êtes fan de Rage Against The Machine, Red Hot Chili Peppers, Urban Dance Squad et autres Extreme ou Living Colour, ce DVD vous comblera inévitablement ! Vous y trouverez en effet une floppée de rythmiques saignantes, de grooves percutants, de riffs imparables et de plans solos bien sentis, qui vous aideront à évoluer 'guitaristiquement? dans le plus pur style Hard-Fun…

Par YAGISAWA SATOSHI. Satoshi Yagisawa’s Trombone Concerto is both impressive and original at the same time. It features a slow-fast-slow structure with each movement being connected to the next. The second movement, with its rich choralelike writing, is especially noteworthy, bringing out the warmest and most delicate sounds of the trombone. Yagisawa also takes extreme care in how the soloist and…

By Dobbins. For Choral Collection: Mixed Choir. Published by Oxford University Press.