Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de …

36 Classic Carols for Churches, Schools & Choirs. A wonderful collection of the most popular traditional Carols in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (2-Part). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Mark Hayes. For 2-part choir, piano, finger snaps. Secular Christmas. Octavo. Heritage Music Press #15/3275H. Published by Heritage Music Press

By Reginald Unterseher. For SA choir, descant recorder and percussion. Upper Voices. Christmas Choral Leaflet. Vocal score. Duration 2'

By Greg Gilpin. For 2-part choir, descant and piano. New Horizons. Secular Christmas. Octavo

By J. Paul Williams. For SATB Choir. Choral, General Use, Orchestration, Tracks, Easter and Sacred. Sheet Music. Published by Shawnee Press.

Arranged by Dan Davison. American Folk Song. Octavo. With Standard notation. Duration 2 minutes, 30 seconds. BriLee Music #BL979. Published by BriLee Music (CF.BL979).

By Mack Wilberg. For Mixed Choir and Organ. Published by Oxford University Press.

By Lloyd Larson. For 2-part mixed choir and piano (with optional flute, bass, hand drum). Discipleship, General, Lent, Sacred. Sacred Anthem

By Emily Dickinson, music and additional words by Mary Donnelly and George L.O. Strid. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. 8 pages. Published by Alfred Music

By Greg Gilpin. For 2-part Choir. (3-part Mixed). Choral, Piano Trax, Latin Texts, Partner Songs/Rounds/Canons. Sheet Music. Published by Shawnee Press.

Composed by Christine Perkey. For 2-part children's choir (keyboard accompaniment). Main Key: F Major. Sacred. Difficulty: Medium (Children) or Easy (Adult). Octavo. 8 pages. Duration 1 minute 12 seconds. Published by Hinshaw Music Inc.

Arranged by Joel Raney. For 2-part mixed with optional unison choir (or vocal soloist). Blues-Gospel-Spirituals, Hymntune, Children, Spiritual, General. Octavo. Published by Hope Publishing Company

(A Cantata for Christmas). By Douglas Nolan. For 2-part/SAB choir (2 Part / SAB). Shawnee Press. Sacred, Christmas, Cantata. Softcover. 56 pages

Composed by Larry Shackley. For 2-part mixed choir and piano (with optional C instrument, hand drum). Sacred Anthem, Advent, Christmas. Octavo. Lorenz Publishing Company #10/4794L. Published by Lorenz Publishing Company

By Henry Purcell (1659-1695). Arranged by Russell L. Robinson. For SA choir, Keyboard. Octavo. 8 pages. Published by Carl Fischer

Partners in Spirituals. (6 Spectacular Partner Songs for 2-Part Voices (Songbook)). By Jean Anne Shafferman. Choir Sacred. 2-Part Choir. This edition: Songbook. Choral Worship Collection; Church Partner Songs; Worship Resources. Choral, Sacred; Spiritual. Book. 28 pages. Publishe…