Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de …

36 Classic Carols for Churches, Schools & Choirs. A wonderful collection of the most popular traditional Carols in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Voca…

Arranged by Jack North. For SAB or Three-Part Mixed Choir (2-part (any combination) (with Opt. Descant)). Christmas Hymntune, Sacred. Choral octavo

By Joel Raney. For SAB choir and piano with optional rhythm section. Octavo. 12 pages. Published by Hope Publishing Company

Arranged by Andy Beck. Choral Octavo. Alfred Choral Designs. Christmas; Secular; Winter. 12 pages. Published by Alfred Music (AP.46434).

Composed by Don Besig. For SAB choir. Text: John 20:1-10|Matthew 28:1-10|Mark 16:1-8|Luke 24:1-11|Revelation 19:12. Choral octavo. Published by Hope Publishing Company

By Keith Getty and Stuart Townend. For SAB choir and piano (with optional orchestra). Christ the King, Eastertide, General, Lent, Palm Sunday, Sacred. Sacred Anthem

By Natalie Sleeth. For Choir. (SAB or Three-Part). Eternal Life, Kingdom, Promise, Contemporary and Sacred. Print Music Single (SAB w/opt. Brass or Orch.). Published by Hope Publishing Company.

Arranged by Michael Ryan. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Secular; Winter. 8 pages. Published by Alfred Music

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald. For SAB Choir and Piano (with optional orchestra). Cantata. Choral: Advent. Choral score. Published by Lorenz Publishing Company

By Willcocks and Rutter. For (Choral Collection) SSA Choir. Published by Oxford University Press.

By Tammy Simister Robinson. Text: Tammy Simister Robinson. For SSA Choir. Level: Easy. Duration 4:08. Published by Jackman Music Corporation.

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (SSA). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

By David Angerman. Arranged by Joseph M. Martin. For SAB (2-part) mixed Choir and Piano (with optional orchestra). Sacred Anthem: Christ the King, Easter, General, Thanksgiving. Octavo. Published by Lorenz Publishing Company