Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

(A Collection Motets, Madrigals, Chansons, Carols, Ayres, Ballets, etc.) Edited by Henry Clough-leighter. Collection for mixed choir (A Cappella). With introductory text and piano rehearsal part. Series: Secular. 171 pages. Published by E.C. Schirmer Publishing.

By Gabriel Faure (1845-1924). Arranged by Raines. For SSA choir, piano. Choral octavo

By Gloria; William Gaither. Arranged by Jack Schrader. (SAB or Three-Part). Funeral and Sacred. Print Music Single (SAB). 8 pages. Published by Hope Publishing Company.

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Voca…

By Orlando di Lasso, arranged by Russell L. Robinson. Octavo for 3-Part mixed double choir (a cappella). Series: Alfred Choral Designs. 12 pages. Published by Alfred Publishing.

By Sonja Poorman. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Multicultural, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Joel Raney / Phoebe P. Knapp. Arranged by Joel Raney. For SAB and Unison Choir, Children's Voices. Scripture References: Romans 8:16-17 -- 2 Corinthians 5:17 -- Psalm 40:3 -- Psalm 34:8. Hymntune, Sacred. Choir. 16 pages

Composed by Geoffrey Edwards. Choral. Christmas. Octavo. Lorenz Publishing Company #15/3502H. Published by Lorenz Publishing Company (LO.15-3502H).

For SAB choir and piano (with optional instrumental accompaniment). Sacred Anthem, Eastertide, General, Lent. Octavo. Lorenz Publishing Company #10/4732L. Published by Lorenz Publishing Company

By Joan Szymko (1957-). For SSA Choir. Choral. Medium. Choral octavo

Composed by Ken Medema. Arranged by Mary McDonald. For SAB choir. Father's love, Grace of Jesus, Spirit's power, General. Octavo. Published by Hope Publishing Company

(With Tchaikovsky's Nutcracker Suite ). By Peter I Tchaikovsky; Larry Shackley. For SAB choir, piano 4-hands. Advent, Christmas, Sacred. Sacred Anthem

Composed by Mary McDonald. For SAB choir and piano (with optional orchestra). Sacred Anthem, General, Lent, Reformation. Octavo. Published by Lorenz Publishing Company

((With Music, We Are One)). By Jay Althouse. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Latin; Multicultural; World. 12 pages. Published by Alfred Music Publishing

By Mark Hayes. For SAB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2474H)

By Lloyd Larson. For SAB choir and piano. Holy Communion, Sacred. Octavo. Published by Exaltation Publications. (10/3409L)

Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo; Masterworks. Choral Designs. Madrigal; Masterwork Arrangement; Renaissance. Choral Octavo. 8 pages. Published by Alfred Music Publishing