Cours de langue en musique !Une grande partie du répertoire piano contemporain disponible est assez inaccessible aux élèves des capacités techniques modérées. Dans cet esprit, Anne-Lise Gastaldi and Valérie Haluk approché et participé à plusieurs compositeurs, dont chacun a un langage musical particulièrement caractéristique de notre époque, demandant une composition originale pour nos jeunes pian…

Drill Design 68

Par . Piano solo arrangements with chord symbols for 22 songs / Date parution : 2022-07-29/ Recueil / Piano

The Techniques of Singing-In The Techniques Of Singing the US-born contemporary bass baritone singer Nicholas Isherwood discusses the Vocal techniques required to master the music of today.Music from the 20th and 21st centuries demands a notably larger spectrum of abilities than traditional Vocal literature. In this book Isherwood describes these techniques with numerous examples giving practice…

The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per Nørgård. Work for bird voices (CD) and human voices (12 SATB soloists) with text (sung in German) by Adolf Wölfli (1864-1930). A CD of Bird Song is available separately - use product code KP00830. Text (sung in German): Adolf Wölfli (1864-1930).Programme note:'D´Monstrantz Vöögeli' is the main (and middle) movement of m…

Groove Essentials And Getting Started On Drums-Get both volumes of Todd Sucherman's acclaimed DVDs in one convenient pack! Watch Todd perform and offer analysis and breakdowns including the music of Styx and others. Todd also covers topics such as odd phrasing hand exercises and applications concepts for practice routines and an extensive look at ghost notes. He also touches on several topics …

Par ZIMMERMANN HEINZ WERNER. Das Te Deum Deutsch 'Herr Gott, Dich loben wir' for 12-part mixed Chorus a cappella (SSMezMezAATTBarBarBB). The Te Deum in the translation of Martin Luther 1529. Heinz Werner Zimmermann (born 11 August 1930 in Freiburg im Breisgau) is a German composer. Zimmermann had his first composition instruction from 1946 to 1948 with Julius Weismann and studied from 1950 to 1954…

Mark Taylor takes this familiar standard and creates a powerful uptempo flag-waver for mature ensembles. The style slips seamlessly between swing and samba and provides some shining moments for lead trumpet along with the rest of the ensemble. Also featured are solos for tenor sax trumpet piano and drums a sax soli and a screaming ensemble shout chorus. (Recorded by the Mark Taylor Big Band)