An Anthology. All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable Virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the Keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbo…

Book 1. Par WATKINS DAVID. Edited by David Watkins, Professor of Harp at the Guildhall School in London. BR> CONTENTS ANONYMOUS: Toy; Watkin Ale BULL, John: Praeludium; Praeludium (dor) BYRD, William: Pavana DOWLAND, John: Lachrimae antiquae pavan; My Lady Hunsdon's puffe FARNABY, Giles: Giles Farnaby's dreame; His rest (Galliard); Tell mee Daphne GIBBONS, Orlando: Lady Hatton's Galliard JOHNSON, …

Texts: Anonymous, Hovhannes Toumanian, Avedis Isahagian / Voix Et Piano

Par MELLERS WILFRID. Lacrimae Amoris, scored for solo countertenor and men's voices, sets the words of Sir Walter Raleigh about a long-lost love, and an anonymous text concerning a dream of Mary weeping after the death of her son Jesus./ Répertoire / Contreténor Solo et Voix d'Hommes

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) Glockenspiel (optionnel) (1 partition) - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compos…

g-moll Op. 33 B. 63. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and p…

Par PURCELL HENRY. A shortened version of Purcell's Fairy Queen for concert performance devised by Peter Pears, with the words taken from an anonymous adaptation of A Midsummer Night's Dream./ Répertoire / Chorale

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : …

Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous lib…

Das Kanaanäische Weib. Evangeliendialog. Par SCHUTZ HEINRICH. anonymous composition, attributed to Schütz by Hans Joachim Moser/ Répertoire / Choeur SMsBar/STB, (Contrebasse et Orgue)

(For Four-Part Chorus of Mixed Voices A Cappella). By Giuseppe Ottavio Pitoni. Edited by Patrick M. Liebergen. SATB chorus. For SATB, Piano Rehearsal. Choral. Piano/Vocal Score. Standard notation. 8 pages

By Malcolm Archer. For SATB choir and organ. This edition: X489. Mixed Voices. Christmas Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Anonymous. Arranged by Thomas Fettke. For Choral (SATB). Harold Flammer. Octavo. Published by Shawnee Press

By Natalie Sleeth. SATB. Size 6.75 X 10.5. Published by Carl Fischer. (CM7752) 6-PACK includes six original copies of this piece.

For SATB Voices with Keyboard Accompaniment, or Optional A Cappella. By Anonymous. Arranged by Ruth Elaine Schram. SATB chorus and keyboard. For SATB Chorus, Keyboard. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer.

(S.A.T.B Chorus, with Guitar (or Keyboard) and Tambourine). By Anonymous. Arranged by S.J. Francis J. Guentner. SATB chorus. For SATB, Keyboard, Guitar, Tambourine. Choral. Piano/Vocal Score. Standard notation. 9 pages. Duration 1:20

By Johannes Brahms. Arranged by E.Power Biggs. For SATB, Organ. Organ Book. Opus 122. Published by Theodore Presser Company.

A Cantata for Tenor Solo, S.A.T.B. Chorus, and Orchestra. By Adolphus Hailstork. Mixed choir. For SATB Chorus, Keyboard Rehearsal, Tenor Solo. Choral. Piano Reduction. Composed 1989. 30 pages. Duration 18:00. Published by Theodore Presser Company.

Composed by Randol Alan Bass. 21st Century. Choral score. Randol Bass Music #RBM-122. Published by Randol Bass Music

For Chorus of Mixed Voices (SATB) with Piano. By Alice Parker. Text: Anonymous. Choir (SATB, keyboard). For SATB Chorus, Piano. Choral. Piano/Vocal Score. 11 pages. Published by Carl Fischer.

By Traditional Chantey, Anonymous. Arranged by Marshall Bartholomew. (SATB). Choral. Size 6.7x10.5 inches. 8 pages. Published by G. Schirmer.

For A Cappella Chorus of Mixed Voices. By Healy Willan. Text: Anonymous. Choir (SATB, keyboard). For SATB Chorus, Piano Rehearsal. Carl Fischer Choral Repertoire. Choral. Piano/Vocal Score. 6 pages. Published by Carl Fischer.

Composed by Gerald Custer. Choral. Octavo. Lorenz Publishing Company #15/3487H. Published by Lorenz Publishing Company (LO.15-3487H).

For SATB Voices A Cappella. Composed by Anonymous. Arranged by Dean Rishel. Choral. Piano reduction/vocal score. With Standard notation. 12 pages. Carl Fischer #CM08814. Published by Carl Fischer (CF.CM8814).

Composed by Anonymous. Arranged by Maria Gruszczynska. Carmina Series, No.27. Choral part(s). With Standard notation. Universal Edition #UE13686. Published by Universal Edition (PR.UE013686).

(O mighty Lord Christ). By Anonymous. Arranged by Thomas Dunn. For SATB Choir. Choral, holy week/three days, lent. Octavo. 4 pages. Published by E.C. Schirmer Publishing