Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de …

36 Classic Carols for Churches, Schools & Choirs. A wonderful collection of the most popular traditional Carols in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

(50 Christmas Favorites for Church, School, and Community) Arranged by Janet Day. SATB songbook for SATB or mixed choir. With choral notation, lyrics and performance suggestions. 56 pages. Published by Hal Leonard.

By Keith Getty and Stuart Townend. For SATB choir and piano (with optional orchestra). Christ the King, Eastertide, General, Lent, Palm Sunday, Sacred. Sacred Anthem

By Ruth Elaine Schram. For SATB/SAB choir, piano (with optional cello). Ready to Worship Series. Advent. Octavo. Published by Lorenz Publishing Company

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

Composed by Mark Sirett (1952-). For SATB choir with piano. Canadian Folk Song. Octavo. Published by Cypress Choral Music

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

By Various. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

Choral Medley. Composed by E.Y. Harburg, Harold Arlen. Arranged by Mark A. Brymer. Choral. Concert, Festival, Medley, Movies, Light Concert, Show Choir. Octavo. 32 pages. Published by Hal Leonard (HL.138090).

Composed by Kim Andre Arnesen. For SATB choir, piano. Anton Armstrong choral Series. Octavo. Text language: English (Norway). Published by Earthsongs

(Just a Closer Walk with Thee/Trust and Obey). By Stan Pethel. For SATB choir and piano. Sacred: All Saint's Day, Discipleship, General, Lent. Octavo. Published by Lorenz Publishing Company

Composed by Arvo Part (1935-). World Premiere: Cambridge / Great Britain by King's College Choir conducted by Stephen Cleobury. Choral part(s). With Standard notation. Composed 1990. Duration 1 minute. Universal Edition #UE30414. Published by Universal Edition

Composed by Robert A. Hobby (1962-). For Congregation, SATB Choir, Brass Quintet, Timpani, opt. Cymbals, and Organ or opt. Full Orchestra. Cathedral Series. Catholic Year C Most Holy Body and Blood of Christ; Catholic Year C Easter Sunday; Catholic Year C Ascension/Easter7. Chris…

By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford University Press.

By Various. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Composed by John Rutter (1945- ). For SATB choir and organ. Octavo. Duration 5 minutes. Published by Oxford University Press