Les volumes de cette nouvelle série contiennent des duos , trios et quatuors , leur degré de difficulté allant de facile à travers intermédiaire à avancé . Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était de fournir une collection de compositions intéressantes et utiles , comme variable sous la forme possible en ce qui co…

L'une de mes plus profondes convictions est qu'il faut considérer la musique comme un élément primordial dans la construction de la personnalité. Chez le jeune enfant, elle a toujours permis de révéler des capacités ou des talents et ses effets positifs sur toutes les autres activités, par exemple scolaires, ne sont plus à démontrer.Mais encore faut-il disposer d'une méthode appropriée pour que l'…

Pourquoi donc une méthode sur les II-V-I ' Tout simplement parce que cette cadence est omniprésente dans la musique moderne, tous styles confondus, et qu'il est ainsi nécessaire pour tout bassiste de la maîtriser parfaitement. Mais aussi parce que, sous sa forme majeure ou mineure, la cadence II-V-I donne l'occasion de travailler 'en situation' l'accompagnement des différents types d'accords essen…

Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”. What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers- how Schumann in…

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different com…

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piec…

Pour Piano. Par PECOU THIERRY. These seven settings for piano solo, like the original chamber music cycle, are evocative of the unscrupulous period of the slave trade: 'For me, the meaning of this work lies in the lasting remembrance, the reverent ceremony, not solely the emotionalism and contemplation of the prayer, but contemplation of the mind. Beyond the confines of memory, I would like to exp…

Composed by Johannes Brahms (1833-1897). Opus 45. For soprano voice solo, baritone voice solo, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Romantic period. Text language German. 96 pages. 7.5x10.5 inches. Published by C.F. Pe…

By David R. Naylor. Text: John V. Pearson. For SSATB Choir. Level: Medium. Duration 4:00. Published by Jackman Music Corporation.

(Vocal Score). By Richard Blackford. For Choral (SATB). Music Sales America. Sacred. 64 pages. Novello and Co Ltd. #NOV078584. Published by Novello and Co Ltd.

Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 Soprano solo, 1 Mezzo-Soprano solo, 1 Alto solo, 2 Tenor solo, 1 Bass solo, SATB Chorus, Flute I, II, Recorder I, II, Oboe I, II, Bassoon I, II, Horn I, II, Trumpet I, II, Violin I-III, Viola, Bassi (…

By Robert Kyr (1952-). For Soprano Voice and Baritone Voice soli, SATB Choir divisi, String Trio. Choral, general. Vocal Score. Published by E.C. Schirmer Publishing

By Andrew Bleckner. For SATB choir a cappella (SATB). Octavo. 8 pages

Composed by Imant Raminsh (1943-). Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Lawson-Gould. Sacred. Choral Octavo. 16 pages. Alfred Music #00-43564. Published by Alfred Music (AP.43564).

Composed by Imant Raminsh (1943-). Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Gordon V. Thompson Series. Holy Week; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group #00-VG5018. Published…

By Craig Phillips. For organ, optional brass quartet, timpani (SATB choir). Choral. Pentecost. Difficult. Octavo. 15 pages. Published by MorningStar Music Publishers

By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker / Ruth S. Kapp. For SATB Choir. Level: Medium. Published by Jackman Music Corporation.

Composed by Alfred V. Fedak. Presbyterian Association of Musicians Series. Catholic Year A Pentecost Sunday; Year A Pentecost. Pentecost, 21st Century. Octavo. Published by MorningStar Music Publishers (MN.50-5556).

Published by Carl Fischer

Arranged by Stacey V. Gibbs. For double choir, piano (optional a cappella). Jo-Michael Scheibe Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1267. Published by Santa Barbara Music Publishing

By Alfred V. Fedak. For SATB choir, organ accompaniment. Easter. Medium. Published by MorningStar Music Publishers

Prophetiae Sibyllarum. (SATB, a cappella (German, Latin Language Edition)). By Orlande De Lassus (1532-1594). Choir Sacred. SATB choir. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Worship Resources. Kalmus Edition. Masterwork; Renaissance; Sacred. Book. 24…

Composed by Alfred V. Fedak. For SATB choir, organ, optional brass quartet or brass quintet. Year C: Easter2. Easter. Medium. Choral score. Published by MorningStar Music Publishers

By Nielle Mann. For SATB choir, a cappella. Mixed Voices. ...for Choirs Collections. Sacred, Choral Collection. 272 pages. Published by Oxford University Press

(Cantata For The Feast Of Visitation B.V.M.) Composed by Johann Sebastian Bach (1685-1750), edited by Olga Kroupova. BWV 147. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Format: vocal score. With choral notation and piano reduction. Baroque…

By Janice K Perry. Text: John V. Pearson. For SATB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 28:00. Published by Jackman Music Corporation.