There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a successio…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Cla…

Par LIGETI GYORGY. The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structure is on an indeterminate level intermediate - the result of adding individual periods of different length is at any given time random -, it is again determinate on the higher level…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

Par CHAPMAN CHARLES. Drop-2 chord forms have been used by guitarists in all musical genres for years. The concept refers to 4-way, closed voicings in root position or any inversion, dropping the second note from the top by 1 octave, hence the term 'drop-2'. In practice, a nifty guitar harmonic symmetry occurs as drop-2 chords are invariably played on any four successive strings, muting or avoiding…

The Playing Techniques series marks the culmination of legendary drummers Ralph Humphrey and Joe Porcaro's deep contribution to drum set education. Covering the study of everything pertaining to the proper technical performance of music on the drum set, the materials are presented in a systematic manner similar to a college course, which the authors refined over decades of teaching at Musicians In…

The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings, so that these versions are attractive to the broadest possible range of amateur as well as professional singers. The breathtakingly simple Mother Of God, here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The r…

Par BAY WILLIAM. This is a collection of 155 solos for trumpet, cornet, or flugelhorn. Ninety-one were recorded on various trumpets, 37 were recorded on cornet and 27 on flugelhorn. One hundred and fourteen are original compositions and the remaining 41 are arrangements on favorite hymns and sacred songs. A warm-up study is also included. This compilation comprises 6 books; Trumpet Chants; Tru…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Composed by Don Besig. For SATB choir, piano (with optional flute). Sacred Anthem, General, Lent. Octavo. Lorenz Publishing Company #10/4705L. Published by Lorenz Publishing Company

Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

Arranged by Dick Bolks, Jack Halloran. (SATB). Gentry Publications. Sacred. Size 6.7x10.5 inches. 12 pages. Published by Fred Bock Music Company.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

SATB a cappella. By Harrison Birtwistle. (SATB DV A Cappella). Boosey and Hawkes Sacred Choral. 22 pages. Published by Boosey & Hawkes.

By Herbert Howells. For Soprano, Tenor, SATB Choir and Piano. Choral, Sacred, 20th Century. Sheet Music. 100 pages. Published by Novello and Co Ltd.

Composed by Rebecca Clarke (1886-1979). For SATB choir, a cappella. Mixed Voices. Secular, Choral Leaflet. Vocal score. 8 pages. Duration 2.5'. Published by Oxford University Press

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE17570. Published by Universal Edition

By Robert Kyr (1952-). For Soprano Voice and Baritone Voice soli, SATB Choir divisi, String Trio. Choral, general. Vocal Score. Published by E.C. Schirmer Publishing

By Natalie Sleeth. SATB. Size 6.75 X 10.5. Published by Carl Fischer. (CM7752) 6-PACK includes six original copies of this piece.

Composed by Gilbert and Sullivan, edited by Bryceson Treharne. Vocal score for SATB chorus, piano accompaniment and 11 solo voices. Contains all dialogue. With vocal melody, piano reduction, lyrics and introductory text. 208 pages. Published by G. Schirmer, Inc.

By Phill McHugh. Arranged by Thomas Fettke. For SATB choir, piano. Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

By Craig Courtney. For SATB Choir. Sacred Octavos. Octavo. Published by Beckenhorst Press.

With Be Thou My Vision. Composed by Michael W. Smith; Deborah Smith. Arranged by Benjamin Harlan. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Choral Octavo. Jubilate Music Group #00-46871. …

Composed by Marty Parks. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4870L. Published by Lorenz Publishing Company (LO.10-4870L).

(Cantata for the 3rd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Robert Moreen; George S. Bozarth; Paul Brainard. Arranged by Martin Focke. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SATB choir, piano. This edit…

(with Champion of Love). Arranged by Mike Speck, Lari Goss and Danny Zaloudik. For SATB Choir with solo. From the collection The Church Will Remain (080689348174). Southern Gospel. Choral octavo. Duration 3'14 . Published by Word Music

By Larry Shackley. For SATB / 2-part mixed Choir and Piano. Sacred Anthem: General, Pentecost, Transfiguration. Octavo. 12 pages. Published by Lorenz Publishing Company

By Pavel Chesnokov. For chorus. (SATB(DIV)). Russian Title: Ne imami iniya pomoshchi. Published by Musica Russica. (Cn 179)

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Klaus Weber. For SATB choir, organ. Level 2. Choral score. Language: German. Composed 1831. A 11. Duration 6 minutes. Published by Carus Verlag