Opera in three acts. Par STRAWINSKY IGOR. New edition of Stravinsky?s largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of th…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Pour le soli de SAATBB, le choeur et les instruments de SSAATB. Édité par la partition vocale de Peter Dennison.This inclut une réduction de piano de la partition instrumentale. Adagio (Symphony No.24) [Haydn, Joseph] Hail! Bright Cecilia (Chorus And Quartet) Hail! Bright Cecilia (Solos And Chorus) Hark Each Tree (Duet: Alto And Bass) In Vain The Am'rous Flute (Duet: Alto And Tenor) …

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Rv 593. Par VIVALDI ANTONIO. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Stundengebet - Langue : Latin/Anglais/ Répertoire / Solo S, Choeur SATB/SATB, 2 Orchestres: 2 Violons,

Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the “Te Deum” and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the …

from The Strathclyde MotetsInstrument : mixed choir (SATB), trumpet in C (organ) ad libitumType : choral scoreNombre de Pages : 4The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate standard choirs.In splendoribus sanctorum is a communion motet for Nativity…

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale…

By Gustav Holst. Arranged by Lasker. For SSAA Choir keyboard. (Children's or Women's Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

By Franz Joseph Haydn (1732-1809). Arranged by Edward Barry Greene. For SSAA Choir Organ (Women's Voices). General, Psalm. Psalm 23:1-2 (paraphrase). Choral. 8 pages

By Makarov. For SSAA choir (Women's Voices). Easter. Choral. 8 pages

By Martha Alter. For SSAA Choir Flute, Piano. (Women's Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

By Anton Rubinstein (1829-1894). Arranged by E. Harold Geer. For SSAA Choir Piano (Women's Voices). General, Secular. Choral. 20 pages

By Donald Waxman. For SSAA choir (Women's Voices). Secular. Choral. 4 pages

By Franz Liszt (1811-1886). Edited by Graulich, Gunter. For SSAA Choir, Organ. S 40. Occasions: Eucharist, Communion; Use during church year: Corpus Christi. Level 3. Score. Language: Latin. 4 pages. Duration 3 min

By Albrecht Rosenstengel (1912-1995). For Women's Choir a cappella - ad lib. Guitar and Percussion. American Folksong

By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (SSAA). Choral Octavo. Choral Designs. Masterwork; Novelty; Secular. Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Marsha Zwicker. Female barbershop choir. Young women's voices, a cappella. Suitable for contest. Barbershop, Uptune. Medium

Arranged by June Berg. Female barbershop choir. Young women's voices, a cappella. Suitable for contest. Barbershop, Swing, Uptune. Easy/medium

By Don Covay. Arranged by Greg Gilpin. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

By Nikki Sixx, Vince Neil, and Tommy Lee. Arranged by Mike Taylor. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

By Johannes Eccard; Johannes Brahms (Arranger). For SSAAA choir. (a cappella). Sacred. Level: Medium. Published by Treble Clef Music Press.

By Joan Szymko (1957-). For SSAA choir, Cello, piano. Janet Galvan Women's Choral. Concert, General, Sacred. Octavo

For SSAA choir, harp and keyboard. Christmas. Published by E.C. Schirmer Publishing.

By Henrik Otto Donner. For SSAA choir (and Flute, Clarinet, Cello and piano)