Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression …

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

The true essence of this piece should be one of gentle inner understanding that peace can come from all of us. Written in a songwriting workshop for SATB choir and children's choir, the joining of these two choirs are suggestive that we should all be supportive of one another. There is a gentle feel to the music during the verses and bridge with the refrains being full of celebrations. / Soprano E…

Par GOODALL HOWARD. Howard Goodall's setting of Spared by Wendy Cope, arranged for SATB divisi and piano accompaniment. This work was first performed by The Chapel Choir of The Methodist College Belfast on 27th October 2005 at St Anne's Cathedral, Belfast. Wendy Cope's poem movingly evokes the events of September 11th 2001, an event that Howard Goodall witnessed firsthand. Faber Choral Signature S…

A set of five classic songs by successful seventies Swedish superstars, Abba! They have been wonderfully arranged here for SATB choir with Piano accompaniment. This is a terrific set, suitable for youth choirs and more experienced groups looking for light material. These perfect pop pieces, by Benny Andersson and Bjorn Ulvaeus, are as popular today as ever and will delight audiences and excite sin…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische [für ihn also heimatliche] Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische [für ihn also heimatliche] Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSATBB Choir. Duration 3:30. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Composed by Mack Wilberg (1955-). For SSATB choir and piano/orchestra (fl, 3 hn, hp, str). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

(Messe fur Solostimmen, Chor und Orchester). By Johann Sebastian Bach (1685-1750). Edited by Friedrich Smend. Arranged by Gottfried Muller. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra/basso continuo

(Motette Nr.9 aus Geistliche Chormusik 1648 ). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad libitum. This edition: Stapled, Urtext edition. Stapled. Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Ce Choral score Sacred

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo A…

By Gabriel Jackson. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Sally Herman. For SSATBB choir (a cappella). Prima Cantate Series. Christmas. Octavo. Heritage Music Press #15/3159H. Published by Heritage Music Press

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

Arranged by Budi Susanto Yohanes. For SSATB choir. Choir part. Language: Other languages. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathan Rathbone. For SSATB choir, soprano voice solo. Language: German. 12 pages. Published by Gehrmans Musikforlag

By David R. Naylor. Text: John V. Pearson. For SSATB Choir. Level: Medium. Duration 4:00. Published by Jackman Music Corporation.

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

Passionsvertonung f!r 2 Solostimmen (Evangelist, Jesus) und Chor. By Hugo Distler. For Tenor solo, Bass solo, Mixed Choir-SSATB. Singing Score. Op. 7. Published by Baerenreiter-Ausgaben (German import).

Motette, Instr. Ad lib. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Konrad Ameln. For Mixed Choir-SSATB, Oboe (2), Bassoon, Strings, Basso continuo. Chor-Archiv. Score; Chorus Score; Urtext Edition. BWV 227. Duration 25. Published by Baerenreiter-Ausgaben (…

By Bruce Saylor. For SATB choir and soprano voice solo, a cappella. Cathedral. Choral, Christmas, Hymn. Medium. Choral octavo. Published by Paraclete Press

By Traditional Hymn / Arr. Lund. Arranged by Lynn S. Lund. Text: St. Francis of Assisi. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation

By Claudio Monteverdi. Edited by David Randolph. For Choir. (SSATB). Choral Extended Work. Lawson-Gould Edition. Masterwork. 40 pages. Published by Alfred Publishing.

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Publish…