Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression …

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

The true essence of this piece should be one of gentle inner understanding that peace can come from all of us. Written in a songwriting workshop for SATB choir and children's choir, the joining of these two choirs are suggestive that we should all be supportive of one another. There is a gentle feel to the music during the verses and bridge with the refrains being full of celebrations. / Soprano E…

Par GOODALL HOWARD. Howard Goodall's setting of Spared by Wendy Cope, arranged for SATB divisi and piano accompaniment. This work was first performed by The Chapel Choir of The Methodist College Belfast on 27th October 2005 at St Anne's Cathedral, Belfast. Wendy Cope's poem movingly evokes the events of September 11th 2001, an event that Howard Goodall witnessed firsthand. Faber Choral Signature S…

A set of five classic songs by successful seventies Swedish superstars, Abba! They have been wonderfully arranged here for SATB choir with Piano accompaniment. This is a terrific set, suitable for youth choirs and more experienced groups looking for light material. These perfect pop pieces, by Benny Andersson and Bjorn Ulvaeus, are as popular today as ever and will delight audiences and excite sin…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische [für ihn also heimatliche] Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische [für ihn also heimatliche] Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

By Charles H. Gabriel. Arranged by A. Laurence Lyon. Text: Charles Gabriel. For SSATTBB Choir. Duration 3:00. Published by Jackman Music Corporation.
Level: Medium / Medium-Difficult (accompaniment).

(Domine exaudi. aus: Die sieben Busspsalmen). By Orlande De Lassus (1532-1594). Edited by Schulze, Stefan. For SSATTB Choir. Psalms, Latin. Level 3. Score. Language: Latin. 16 pages. Duration 10 min

Choral (SSATTB choir a cappella)

SKU: HL.154015

Composed by Simon Lole. De Haske Choral Music. Concert, Sacred. Octavo. 8 pages. Published by De Haske Publications (HL.154015).

UPC: 888680098247. 6.75x10.5 inches.

A lovely setting of the Latin Grace from Jesus Col…

SSATTB choir, organ accompaniment - Early intermediate

SKU: GI.G-8883

Composed by Clayton White. Christ the King. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #8883. Published by GIA Publications (GI.G-8883).

UPC: 785147888307. Englis…

SSATTBB chorus and piano - Medium-difficult / medium-difficult acc.

SKU: JK.00741

Composed by Lyndell Leatherman. Choral SATB, Difficulty Medium Hard, Piano Choir, Jesus Christ - Second Coming, Joy. Christian, Inspirational. Duration 3:15. Jackman Music Corporation #00741.…

SSATTBB chorus and piano - Medium

SKU: JK.01062

Composed by Jon G. Holloman. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Example, Grace, Jesus Christ - Example, Jesus Christ - Savior, Mercy, Premortal Life, Sacrament. Christian, Inspirational.…

SSATTBB chorus and piano - Medium-difficult / difficult acc.

SKU: JK.01071

Composed by Robert Millett. Arranged by Robert Millett. Choral SATB, Difficulty Hard, Difficulty Medium Hard, Piano Choir, Brotherhood. Christian, Inspirational. Duration 2:40. Jackman Music Corpora…

Mixed choir:SSATBB, children choir:SSA or JuCh:SSA or Chor (gleichigh voices), organ ad libitum (Mixed choir:SSATBB, Children's choir:SSA or Youth choir:SSA or Choir (gleichstimmig), Organ ad libitum) - Level 3

SKU: BA.BA08957

Sechs Motetten zur Weihnachtszeit. Edit…

Composed by Jaakko Mantyjarvi. For SSATBB choir. Published by Sulasol

By Gianfranco Grisi. For SSATTBB Choir. Carus Novus. Score. Language: Latin. 12 pages

By Gottfried August Homilius. Edited by Uwe Wolf. For SSATTB Choir. Sacred, Motets, Psalms, German; Occasions: Psalms; Use during church year: Easter and Eastertide. Level 4. Score. Language: German. 8 pages. Duration 3 min

(De profundis clamavi ad te). By Christoph Thomas Walliser. For SSATTB Choir. Occasions: Psalms; Use during chuch year: Lent and Passiontide. Score. Language: German. 32 pages

(Zwischen Don und Woronesch). By Waldemar Bloch. Edited by Waldemar Bloch. Various Sacred. For SSATTB choir. Score

(aus: Geistliche Chormusik). By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATTB Choir. SWV 385 (op. 11 no. 17). Sacred, Motets; Stuttgart Urtext editions; Use during church year: Epiphany, Christmas. Score. Language: German/English. Comp…

By Heinrich Schutz (1585-1672). Mourning. For SSATTB choir. Score. SWV 391

By Heinrich Bach. For SSATTB Choir. Full score available separately - see item CA.3040300. Mass Sections. Choral score. Language: Latin. 4 pages

By Conrad Kocher. Arranged by Robert P. Manookin. For SSATTB Choir. Medium

Edited by Helmut Wulz. Folk song. For SSATTBB choir. 2. Score

(Choralmotette V). By Helmut Bornefeld. For SSATTB Choir. This edition: paperbound. BoWV 38. Sacred, Motets; Complete editions; Use during church year: Lent and Passiontide, Easter and Eastertide. Score. Language: German. Composed 1951. 24 pages. Duration 7 min

By Heinrich Hartmann. For SSATTB Choir. Sacred, Motets, Psalms, German; Occasions: Psalms; Use during church year: End of the church year. Level 3. Score. Language: German. 8 pages. Duration 3 min