Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par ROSSINI GIOACHINO. The “ Petite Messe Solennelle ” is the finest work of Rossini ’s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the “Stabat mater”, the mass is one of the composer’s most important sacred wor…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made i…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Composed by Stuart K. Hine (1899-1989). Arranged by Daniel E. Forrest, Jr. For TTBB choir, piano. Sacred. Octavo. 16 pages. Published by Beckenhorst Press

(Dynamic Praise For Men) Arranged by Bruce Greer, Camp Kirkland, Dennis Allen, Marty Parks, Michael Lawrence, Mosie Lister, Richard Kingsmore, Russell Mauldin. Vocal score for TTBB choir and piano accompaniment. With vocal score notation, harmony part, lyrics, chord names and pia…

The Mosie Lister Men's Choir Book. By Mosie Lister. Sacred. 112 pages. Published by Lillenas Publishing Company.

Arranged by Andrea Ramsey. For TTBB choir, Optional Solo, Keyboard. Octavo. 8 pages. Published by Carl Fischer

By Mark Hayes. For TTBB choir, piano (4-hands) (with optional solo). Sacred Anthem. Choral octavo. Published by Lorenz Publishing Company

By Ola Gjeilo. TTBB A Cappella. This edition: WW1418. Walton Choral. Sacred. 8 pages

(Zhilo dvenadtsat' razboynikov). Arranged by Gregory Smirnov. For TTBB Choir, Bass Solo. Language: Russian

T.T.B.B., with Piano. By Peter Schickele. Text: Peter Schickele. Men's choir. For TTBB Chorus, Piano. Three Pirate Songs, 3. Choral. Piano/Vocal Score. 8 pages. Duration 5:00. Published by Theodore Presser Company.

By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Craig Courtney and Lynda Hasseler. Capital University Choral Series. Sacred. Octavo. 15 pages. Published by Beckenhorst Press (BP.CU1043).

Arranged by Andre J. Thomas. Choir Sacred. For Opt. Percussion (Men's Choir). Choral Octavo. Lawson-Gould. Christmas; Multicultural; Sacred; Winter. 12 pages. Published by Alfred Music

Composed by Mark Hayes. For TTBB choir div, piano (with optional chamber orchestra, wind ensemble, full orchestra). Prima Cantate. Concert. Octavo. Published by Heritage Music Press

By Charles Francois Gounod (1818-1893). For TTBB choir (soli) and organ. This edition: Paperbound. G-Dur (G major). French Sacred Music. Masses, Latin, French Sacred Music. Level 4. Full score. Language: Latin. Composed 1862. 36 pages. Published by Carus Verlag

Arranged by Andrea S. Klouse, edited by Bob Dingley, composed by Kurt Bestor. Octavo for TTBB choir (A Cappella). G Major. Series: Educational choral octavo (TTBB). 8 pages. Published by Alfred Publishing.

By Marilyn Keith, Alan Bergman. Arranged by Norman Luboff. (TTBB). Walton Choral. Size 6.75x10.5 inches. 8 pages. Published by Walton Music.