Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

By Bruce Saylor. For unison treble chorus, organ and harp. Choral, Children, Christmas. Easy/Medium. Choral octavo. Published by Paraclete Press

Arranged by Mark Patterson. For Choral, Children's Choir (Unison/2-Part Treble). Harold Flammer WorshipSongs Jr. Published by Shawnee Press

By John Ferguson. For unison/2-part choir, organ and congregation. Hymns of Faith. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.

From Vivaldi's "Gloria" - for Unison or Two-Part Treble Voices with Keyboard Accompaniment and Optional Two Flutes. By Antonio Vivaldi. Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Text: Anonymous. Treble choir. For Unison Chorus, Two-Part Treble Voices, Keyb…

By Nancy Gifford. For unison choir and piano. Epiphany, General, Sacred. Sacred Anthem

Composed by Brad Nix. For Choral, Children's Choir (Unison/2-Part Treble). Harold Flammer WorshipSongs Jr. Octavo. Published by Shawnee Press

By Hal H. Hopson. For unison/2-part choir. General, Spiritual, Sacred. Sacred Anthem. Published by Chorister's Guild.

Composed by Joseph M. Martin. For Choral, Children's Choir (Unison/2-Part Treble). Harold Flammer WorshipSongs Jr. 8 pages. Published by Shawnee Press

By Mark Patterson. For unison/2-part choir, piano with optional viola. Lent. Published by Chorister's Guild

By Timothy Shaw. For unison/2-part choir and piano with optional treble C instrument. Octavo. 12 pages. Published by Chorister's Guild

By Jim Taylor. For unison/2-part choir and piano. Sacred Anthem. Octavo. Published by Chorister's Guild

Composed by Brad Nix. For Choral, Children's Choir (Unison/2-Part Treble). Harold Flammer WorshipSongs Jr. 8 pages. Published by Shawnee Press

For unison/2-part choir and piano. Choral collection. Sacred Choral, Concert, General. Choral octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred. Octavo. Published by Choristers Guild.

Composed by Trevor Manor. For Unison/two-part choir with piano and optional French horn. Sacred Anthem. Lent, Holy Week. Octavo. Published by Chorister's Guild

Composed by Sue Hawkins Duckett. For unison choir with opt. guitar, piano. General, Advent, Christmas. Published by Chorister's Guild

By Becki Slagle Mayo. For Unison Choir and Piano. Sacred Anthem: Easter, Family Days. Octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. Eastertide, Sacred. Octavo. Published by Choristers Guild.