Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de …

36 Classic Carols for Churches, Schools & Choirs. A wonderful collection of the most popular traditional Carols in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Level 3-. Handbell score. 8 pages. Published by Chorister's Guild

Arranged by Karen Thompson. For handbell choir (2-3 octaves) with optional handchimes (3 octaves) (5-7 ringers). Ring More with Less series. Sacred. Level 2. Handbell score. 8 pages. Published by Chorister's Guild

Composed by Karen Lakey Buckwalter. For handbell choir (4-6 octaves) with optional cello. Handbell Choir Music. Level 3 . Handbell score. 15 pages. Published by Beckenhorst Press

Arranged by Brian Childers. For 3-5 octave handbells with optional A2 and 3-5 octave handchimes. Handbell Choir Music. Level 3. Handbell score. 8 pages. Published by Beckenhorst Press

By Skinner Chavez-Melo. Arranged by Carol Lynn Mizell. For handbells: 5-6 octaves, oboe (C instrument) (with optional handchimes (5-6 octaves), SATB, congregation). Christmas, Sacred. Level 3. Handbell score. Published by Chorister's Guild

By Linda Lamb. For 2-3 octave handbell choir. Handbell Choir Music. Handbell part. Published by Beckenhorst Press

Arranged by Jason W. Krug. For handbell choir - 12 bells (F5 to C7). Grade 2/2 . Reproducible collection. Published by Chorister's Guild

Arranged by Bill Ingram. Sacred. Handbell score. Published by Chorister's Guild (CG.CGB1033).

Arranged by Peggy Bettcher. Collection. Easy to Ring Series. General Worship, Sacred. Handbell score. 45 pages. Published by Hope Publishing Company (HP.2791).

Arranged by Martha Thompson. For handbell choir (6 ringers, C5-C7) with optional percussion. Handbell Collection. Ring with 6 Series. General, Sacred. Collection. 28 pages. Published by Hope Publishing Company

Arranged by Kevin McChesney. For handbell choir (3-5 octaves). Hymntune, Sacred. Grade 3-. Handbell score. 8 pages

Contemporary Worship, General. Handbell score. Lorenz Publishing Company #20/2029L. Published by Lorenz Publishing Company (LO.20-2029L).

Composed by Oliver Holden. Arranged by Cynthia Dobrinski. Adoration, Jesus Christ - King, Hymntune, Christ the King, Pentecost, Jesus Christ - Lordship, Jesus Christ - Name, Jesus Christ - Savior, Sacred, Jesus Christ - Majesty, Church - Final Victory, Salvation, Gene…

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Octavo. Published by Chorister's Guild

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Level 3-. Full score. 27 pages. Published by Chorister's Guild

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Reproducible instrument parts. 14 pages. Published by Chorister's Guild

Arranged by Matthew Compton. For 3-6 octave handbell choir with optional 2 octave handchimes. General, Sacred. Grade 3 . Handbell score. Published by Hope Publishing Company

Arranged by Cathy Moklebust. For handbell choir (3-5 octaves) with optional 3-5 octave handchimes, clarinet, bass, and drums. Sacred. Level 3 . Handbell score. 12 pages. Published by Hope Publishing Company

Arranged by Patricia Cota. For handbell choir (2-3 octaves). Sacred. Level 2. Handbell score. 8 pages. Published by Hope Publishing Company