Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Composed by Antonin Dvorak (1841-1904). Arranged by Janet Linker and Jane McFadden. For 3-5 octave handbell choir and organ with optional 2 octave handchimes and bras quintet. Handbell Choir Music. Sacred. Level 3. Full score. Published by Beckenhorst Press

(Hymn arrangements and original music for springtime or general use). Arranged by Cathy Moklebust. For 2-3 octave handbell choir. Lent, Palm Sunday, Easter, Eastertide, Christmas, General. Level 1 -2 . Reproducible handbell collection. 44 pages. Published by Chorister's Guild

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Level 3-. Handbell score. 8 pages. Published by Chorister's Guild

Composed by Cathy Moklebust. For 2-3 octave handbell choir with optional flute (or violin) and 2-3 octave handchimes. General. Level 3-. Handbell score. 15 pages. Published by Chorister's Guild

Arranged by Karen Thompson. For handbell choir (2-3 octaves) with optional handchimes (3 octaves) (5-7 ringers). Ring More with Less series. Sacred. Level 2. Handbell score. 8 pages. Published by Chorister's Guild

Arranged by Patricia Cota. For handbell choir (4-6 Ringers; 13 Bells). Twelve Bells. Contemporary Praise & Worship, Sacred. Handbell score. 20 pages

By Karen Lake Buckwalter. For handbells (3 octaves) (with optional selected handbells, 3 octave handchimes). Eastertide, General, Sacred. Level 1 . Handbell score. Published by Chorister's Guild . handbell score. Eastertide, General, Sacred.

By Stuart Townend. Arranged by Peggy Bettcher. For handbell choir (3-5 octaves). Contemporary, Lent, Sacred. Grade 3 . Handbell score. 8 pages. Published by Hope Publishing Company

Composed by Jonathan Spilman. Arranged by Karen Lakey Buckwalter. For 3-5 octave handbell choir with optional rainstick(s). General. Level 2. Handbell score. 4 pages. Published by Chorister's Guild

By Linda Lamb. For 2-3 octave handbell choir. Handbell Choir Music. Handbell part. Published by Beckenhorst Press

By Skinner Chavez-Melo. Arranged by Carol Lynn Mizell. For handbells: 5-6 octaves, oboe (C instrument) (with optional handchimes (5-6 octaves), SATB, congregation). Christmas, Sacred. Level 3. Handbell score. Published by Chorister's Guild

By Various. Arranged by James Smith. For handbell choir (3 octaves) and percussion. Level 2-. Handbell score. Published by Jeffers Handbell Supply

Arranged by Jason W. Krug. For handbell choir - 12 bells (F5 to C7). Grade 2/2 . Reproducible collection. Published by Chorister's Guild

Composed by P. S. Gilmore. Arranged by J. A. Hall. For handbell choir (3-6 octaves). Level 3. Published by Jeffers Handbell Supply

Arranged by Cathy Moklebust. For 3-5 octave handbell choir and optional 2-3 octave handchime choir. Level 3-. Full score. 11 pages. Published by Chorister's Guild

Arranged by Anna Laura Page. For 2-3 octave handbell choir with optional treble Bb or C instrument. Level 1 . Handbell score. 8 pages. Published by Chorister's Guild

By Susan Geschke. Edited by Michael Perry. Handbell choir. For 3-5 octave handbells. Original Handbell. Sacred. Grade 2. 8 pages. Published by Hope Publishing Company

Arranged by Susan Geschke. For handbell choir (3-5 octaves). Christmas, Hymntune, Sacred. Grade 2-. Handbell score. 8 pages