| Samson (HAENDEL GEORG FRIEDRICH) Chorale SATB [Conducteur] Barenreiter
Oratorio in three acts. Par HAENDEL GEORG FRIEDRICH. Handel composed Samson directly after completing the 'Messiah'. After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composer's most successful oratorios alongside 'Esther' and 'Judas Maccabaeus'. This probably had as much to do with the popular Old Testament story of the libretto as with Handel's…
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| Messe C-Dur Op. 86 (BEETHOVEN LUDWIG VAN) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Ba…
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| La Stravaganza Op. 4 Vol.I: Concertos I-Vi (VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Partition] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original a…
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| Te Deum (BRUCKNER ANTON) Chorale SATB SATB, Orchestre [Partition] Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. …
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| Dido and Aeneas (PURCELL HENRY) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to …
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| RAVEL MAURICE - SONATE / BERCEUSE SUR LE NOM DE GABRIEL FAURE - VIOLON and PIANO Violon et Piano Barenreiter
Ravel, Maurice Sonata / Berceuse sur le nom de Fauré for Violin and Piano - New scholarly-critical edition of Ravel?s famous sonata - First scholarly-critical edition of the ?Berceuse sur le nom de Fauré? - Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng) Ravel worked on his Sonata for Violin and Piano for …
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| Kleine Geistliche Konzerte II 1639 (SCHUTZ HEINRICH) Chant et Basse Continue [Partition] Barenreiter
Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also …
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| Te Deum (BRUCKNER ANTON) Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. …
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| Sämtliche Clavierwerke, Band II (RAMEAU JEAN-PHILIPPE) Piano seul [Partition] Barenreiter
The Books of 1726-7 and 1741. Par RAMEAU JEAN-PHILIPPE. This is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes. It also includes many new insights into performance practice (e. g. the handling of repeat signs in the origi…
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| Beethoven L.v. - Concerto For Pianoforte And Orchester N°5 Op.73 - Piano Reduction Piano seul Barenreiter
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 5 E-flat major op. 73 Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance. The editor, Jonath…
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| Grande Sonate For Pianoforte A-Flat Major Op. 26 'Funeral March' Piano seul Barenreiter
Beethoven's four-movement Sonata in A-flat major op. 26 belongs to his most popular works. It is dedicated to Prince Lichnowsky, one of his most generous patrons and the dedicatee of, for example, the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. The work's initial drafts date from 1800-01 - it was first published in March 1802. This demanding sonata is highly varied in its form: it b…
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| Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL) Piano, Voix [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking an…
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| Samson Et Dalila (SAINT-SAENS CAMILLE) Opéra [Partition] Barenreiter
Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works.
The fact that the work's genes…
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| La Stravaganza Op. 4 Vol.II: Concertos VII-XII (VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Partition] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original a…
102.10 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| German Requiem Full Score (BRAHMS JOHANNES) Chorale [Partition] Dover Publications
Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful f…
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| Handel G.f. - The King Shall Rejoice Hwv 260 - Vocal Score [Vocal Score] Barenreiter
Händel, Georg Friedrich The King shall rejoice HWV 260 Coronation Anthem Edition no. BA 10259-90 ISMN 9790006562220 Volume / Series BÄRENREITER URTEXT Editor Blaut, Stephan Arranger Köhs, Andreas Language(s) of work English Language(s) of text German, English Product format Vocal score, Urtext edition Binding Stapled Pages / Format V, 32 S. - 27,0 x 19,2 cm Handel Coronation Anthems in Urtext ed…
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| Johann Paul von Westhoff Six Suites (DR) Violon [Partition] Mel Bay
Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost…
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| Messe De Requiem Op. 48 Chorale SATB Barenreiter
The ' Messe de Requiem? is probably the internationally best-known and most frequently performed work by Gabriel Fauré . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despi…
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