| Allegro Appassionato Op. 43 For Violoncello And Piano Violoncelle, Piano G. Henle
At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cello concerto. It was presumably directly after this that he wrote the 'Allegro appassionato? for Cello and Piano op. 43 that also appeared in a version for orchestra three years later. We do not know wh…
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| Koncert Pro Violoncello A Orchestr (DVORAK ANTONIN) Violoncelle, Orchestre [Partition] Barenreiter
B Minor. Par DVORAK ANTONIN. Like every other great 19th-century solo concerto, Dvorák ’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák ’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the Orchestral parts are also in his writing, sho…
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| Tango Passion (DIVERS AUTEURS (ARR) 2 Violoncelles (duo) Universal Edition
8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Authentic tango classics arranged as duets of medium difficulty for 2 cellos - this edition includes the famous tunes of some of the greatest tango compositions the world has ever heard.
Tango is full of life and passion - the fact that this love affair of music and rhythm has not lost any of its fascination is demonstra…
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| Taylor-Made Violoncelle, Piano Clifton Edition
Pieces for Cello Positions. Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C321 A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, thi…
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| Laude Cortonese Vol. 3 (BRYARS GAVIN) Voix et Instruments [Conducteur] Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…
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| Cello Time Joggers - Piano Accompaniment (BLACKWELL KATHY / DAVID) Accompagnement Piano Oxford University Press
Cello Time. Par BLACKWELL KATHY / DAVID.
Contains all the piano accompaniments for Cello Time Joggers (the cello duets are unaccompanied and so printed in the cello book only). Characterful and easy to play, these piano parts provide the perfect stylish accompaniment to the cellist's first tunes, and help capture the spirit and mood of the pieces. Essential for teachers and musical parents, these…
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| Laude Cortonese Vol. 3 (BRYARS GAVIN) Voix et Instruments Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…
54.50 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Sonata Op. 6 (STRAUSS RICHARD) Violoncelle, Piano [Partition] Universal Edition
Par STRAUSS RICHARD. In 1880 Richard Strauss began composing the 'Sonata for cello and piano' op. 6. Before it went to print in 1883 he revised the complete piece. Only the first movement remained unaltered. Strauss dedicated the 'Sonata for cello and piano' in F major to his friend Hans Wihan (at that time solo cellist with the court orchestra of Munich), who also took part in the premiere of the…
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| The Swan (SAINT-SAENS CAMILLE) Violoncelle Fentone Music
from The Carnival of Animals. Par SAINT-SAENS CAMILLE. Probably one of the best known solo cello works in the world. This beautiful, serene piece comes from Saint-Saëns’ “Carnival of the Animals”. The cello part is edited by Jacqueline du Pré. Camille Saint-Saens' The Swan from The Carnival of Animals suite, arranged here for Cello and Piano accompaniment. The Cello part edited by Jaqueline du Pre…
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| Sonata C Major, Op. 40/1 Violoncelle, Piano Schott
It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are exper…
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| Konzert Für Violoncello Und Orchester (ELGAR EDWARD) Violoncelle, Orchestre [Partition] Barenreiter
Par ELGAR EDWARD. Edward Elgar’s concerto for violoncello, his last major work, is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics, articulation and expression markings. The edition restores all Elgar’s solo cello finge…
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| 12 Capricci Op. 25 For Violoncello Solo Violoncelle [Conducteur d'étude / Miniature] G. Henle
The twelve Capricci op. 25 by the cello virtuoso and composer Alfredo Piatti, who performed with the likes of Liszt and Mendelssohn Bartholdy, are a must for all advanced cello players. Sir Yehudi Menuhin compared them to the Cello Suites by J. S. Bach, referring to these two works as the 'Old and New Testament? of cello literature. Our Urtext edition of the Capricci (HN 746) - the first ever of i…
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| String Quartet - Youthful Work (BACEWICZ GRAZYNA) Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosph…
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| Bach J.s. - Complete Suites For Unaccompanied Cello And Sonata For Viola Da Gamba Dover Publications
The 6 cello suites (BWV 1007?1012) and 3 sonatas (BWV 1027?1029) (played most commonly today on the cello and harpsichord), richly demonstrating Bach's intuitive feel for the cello and his technical grasp of its capabilities for musical expression.
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| 6 Solo Suites Bwv 1007-1012 (BACH JOHANN SEBASTIAN) Violoncelle, Piano [Partition] Peters
Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012, for Cello. Edited by Becker. Six suites by Bach for Cello and Piano. Set for the ABRSM Cello Syllabus Grade 8. / Répertoire d'Examen / Répertoire / Violoncelle
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| Sonata No. 1 In D Minor Op. 109 For Violoncello And Piano (FAURE GABRIEL) Violoncelle, Piano G. Henle
Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The…
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| 11 Oblique Strategies Violoncelle Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of t…
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| Clarinet Trio Clarinette, Violoncelle, Piano (trio) Boosey and Hawkes
Scored for clarinet, cello and piano Clarinet Trio (BH 12624) is in three movements, with a total duration of 20 minutes. The first movement, 'Ljud stort, ljud' (Sound big, sound), was commissioned in 2008 to celebrate the centenary of Svenska kulturfonden. 'Som det stilla vi söker' (Like the tranquillity we seek) and 'Slå våg, slå' (Crash wave, crash) were commissioned in the same year by the Ber…
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