Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recording…

WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it off…

Par PASSERONE. No. 1 - No. 4 for timpani; No. 5 - No. 7 for snare drum, wood-block, cymbals and tom-tom/ Recueil / Percussions et Piano

Par RIDOUT ALAN. Format: New Edition portrait/ Répertoire / Timbales

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Par PART ARVO. A work commissioned by Settembre Musica Torino for the 2006 Winter Olympic Games in Turin became a three-section meditation on The Shroud and the convoluted journey of this enigma from Jerusalem to its preservation in Turin. This piece is Scored for C trumpet, trombone, timpani, percussion, and strings./ Répertoire / Orchestre

Cette poursuite des ouvertures classiques pour timbales comprend les parties de timbales complète à 19 symphonies de Beethoven, Haydn et Mozart. / Percussions

By Johnny Richards. Arranged by Johnny Richards. Jazz Ensemble / Jazz Band. The Stan Kenton Orchestra Library Series. Concert Jazz. Grade 5/6. Score and set of parts. Published by Sierra Music

By The Jazz Interactions Orchestra. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band (Reed 1: Clarinet/Alto Saxophone, Reed 2: Flute/Alto Saxophone, Reed 3: Flute/English Horn/Oboe/Tenor Saxophone Reed 4: Clarinet/Tenor Saxophone, Reed 5: Flute/B…

By Matthew Harris. For jazz ensemble plus 5th trumpet (2 trumpets double on flugelhorn) and optional percussion (chimes, shaker, xylophone, congas, timpani); 1st tenor sax has optional flute or clarinet doubles. Kendor Jazz Archive Series. Straight 8th Feel. Score and Parts. Str…