| Stabat Mater (PERGOLESI GIOVANNI BATTISTA) Voix et Piano Réduction Ricordi
Ed. Critica Di C. Toscani - Reduction For Voice And Piano By Antonio Frigé. Par PERGOLESI GIOVANNI BATTISTA. The present reduction derives from the critical edition of the score, also published in this catalog on Novembre 2012 (NR 139699). The critical edition returns the text of the Stabat mater thanks to a study of a particular scientifi c authority andphilological rigor: as main source the edit…
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| Il Barbiere Di Siviglia (Le barbier de Séville) Piano, Voix Ricordi
The new reduction of Il barbiere di Siviglia is based on the critical edition of the full score by Alberto Zedda that, republished in 2009, appeared in turn as a fully revised edition - in the light of new sources and updated philological criteria - of the historic and pioneering critical edition of 1969. The 1969 Barbiere di Siviglia was based on the autograph and on manuscript and printed source…
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| Danse macabre op. 40 (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
Transcription for Violin and Piano by the Composer. Par SAINT-SAENS CAMILLE. In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and …
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| Violin Concerto (WALTON WILLIAM) Violon et Piano [Partition] Oxford University Press
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire
Derived from the new Walton Edition volume and fully consistent with that and the new hire material
Violin and piano reduction of Walton's Violin Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Commissioned by Jascha Heifetz, the work was completed…
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| 1. X. 1905 (Piano Sonata) (JANACEK LEOS) Piano seul G. Henle
Par JANACEK LEOS. The composition “ 1. X. 1905 , ” generally referred to as a “sonata, ” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janá ek ’s hometown Brno. Reacting to the violent death of a Czech worker, Janá ek wrote a three-part composition for Piano originally bearing the title “From the Street, on October 1, 1905. ” Dissatisfie…
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| Ascension Oratorio Bwv 11 (BACH JOHANN SEBASTIAN) Orchestre [Partition] Barenreiter
Urtext edition. Par BACH JOHANN SEBASTIAN. Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.
As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?),…
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| Streichquintett G-Dur Op. 77 (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Par DVORAK ANTONIN. Dvorák's 'String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo” from his 'String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno” for string orchestra op. 40. The 'Intermezzo” is included in its original version …
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| Markuspassion (BACH JOHANN SEBASTIAN) Solistes SAT, Choeur SATB, 2 Flûtes Traversières, [Partition] Carus Verlag
Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …
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| Tzigane Orchestre, Violon Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Contre Basse [Partition] Barenreiter
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tziga…
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| Tzigane Violon et Piano Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
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| Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL) Piano, Voix [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking an…
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| STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
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| AMERICAN FIDDLER Violon [Partition + Accès audio] Boosey and Hawkes
 Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arra… 21.80 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock |
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| Viola Concerto Alto et orchestre Schott
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Li…
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| Dichterliebe Op. 48 (SCHUMANN ROBERT) Piano, Voix [Partition] Barenreiter
Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”.
What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck.
This work still presents an enigma to performers- how Schumann in…
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| Markuspassion (BACH JOHANN SEBASTIAN) Solistes SAT, Choeur SATB, 2 Flûtes Traversières, [Partition] Carus Verlag
Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …
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| Gotterdammerung Full Score (WAGNER RICHARD) Opéra Full Score [Partition] Dover Publications
in Full Score. Par WAGNER RICHARD. The final Ring opera reprinted from the rare and authoritative edition of 1877. This edition was personally approved by the composer and is complete with the instrumentation he intended. The final Ring opera reprinted from the rare and authoritative edition of 1877. This edition was personally approved by the composer and is complete with the instrumentation he i…
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| Tzigane Orchestre d'harmonie Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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