Eight great flexible arrangements in two parts, for B Flat Instruments, including Trumpet, Clarinet, Tenor Saxophone, with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied B Flat arrangements for two parts in score format. Compatible with other editions in the series. / Rép International / …

for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear un…

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, i…

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case …

Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material o…

Par RUTTER JOHN. Congregation and/or SATB and orchestra Full score and set of parts for John Rutter's Eternal God. This original hymn is touching and lyrical, with unison first and second verses blossoming into four-part writing in the third verse. It may be performed as either a congregational hymn, or as a choir anthem. / Date parution : 2024-04-27/ Répertoire / SATB et Orchestre