An A-Z Guide to Tips, Techniques and Much More. Take your playing from ordinary to extraordinary in this all-encompassing book/audio package for drummers. You'll receive valuable tips on performing, recording, the music business, instruments and equipment, beats, fills, soloing techniques, care and maintenance, and more. Styles such as rock, jazz, hip-hop, and Latin are represented through demonst…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should n…

Rockschool Acoustic Grade 4 s?adresse aux élèves qui ont entre 2 et 2 ans et demie d?apprentissage, et maitrisant les bases, les techniques préliminaires ainsi que les débuts d?une conscience stylistique. Grade 4 développe une conviction et une compréhension stylistiques supplémentaires grâce à des travaux solo et d'improvisation développés. Le programme 2019 Acoustic syllabus est une approche mis…

Rockschool Acoustic Grade 7 s?adresse aux élèves ayant développé un contrôle technique avancé ainsi qu?une maîtrise compétente des techniques stylistiques. En Grade 7, cela se manifeste par une conviction stylistique mature, l'exécution d'une complexité rythmique, un travail créatif et stylistique en solo et d'improvisation ainsi qu'un sens confirmé de la communication et de la performance. Le pr…

Rockschool Acoustic Grade 6 s?adresse aux élèves ayant commencé à développer un contrôle technique ainsi qu?une maîtrise compétente des techniques stylistiques. En Grade 6, cela se manifeste par une conviction stylistique mature, l'exécution d'une complexité rythmique, un travail créatif et stylistique en solo et d'improvisation ainsi qu'un sens confirmé de la communication et de la performance. …