Lat. Ave Maria 7 Voices Unaccompanied - Tota pulchra es Tenor Solo, SSAATTBBB and Organ Vocal Score / Travaux Pour Choeurs

Par BRAHMS JOHANNES. '… and so gladly would I have given you a hundred-thousand kisses!”- Georg Friedrich Daumer A circle of friends as a vocal quartet alternating with solo voices and two good pianists - Brahms wrote his 'Liebeslieder Walzer” not for the grand concert hall but as chamber music for use at home. His first collection op. 52 was so successful that in 1874 he wrote a new set on poems…

For voices and instruments. Four fragments from the diary of Robert Schumann (1828) (The four movements may also be performed separately) / Narrateur

Rolf Granderath a mis sur pied une séquence des airs plus fougueux et agitateur rythmes latino-américains provenant d'enfants populaires de Heinz oies s musicale ' l'excursion en bateau à Rio '(ED 6585 / ED 6586) et leur arrangés pour bande (jeunes). Voices (HME) peuvent être ajoutés ad libitum. / Ensemble A Vent

Dominick DiOrio has chosen the vivid and striking poetry of Amy Lowell for this powerful work. Lowell's poetry explores the awakening of one's passions by the arrival of a before-absent lover. DiOrio paints this internal exultation with glissandi in the voices, richly-harmonized chords and high chromatic ululations of a solo soprano. This was the first prize winner of the Cerddorion Vocal Ensemble…

Use counterpoint to make your music more engaging and creative. Counterpoint - the relationship between musical voices - is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, ga…

Par MELLERS WILFRID. Lacrimae Amoris, scored for solo countertenor and men's voices, sets the words of Sir Walter Raleigh about a long-lost love, and an anonymous text concerning a dream of Mary weeping after the death of her son Jesus./ Répertoire / Contreténor Solo et Voix d'Hommes

Par MARTIN BARNABY. Philip Moore draws on a lifetime's experience of music for Anglican worship to present Bishop Ken's classic evening hymn in darker, more subjective hues than those of Tallis's Canon, to which it is usually sung congregationally. In particular, a penitential note of strained serenity is struck in this nocturnal plea for repose of body and soul. The voices move quietly in comfort…

Now available for younger voices, this Irving Berlin tune is a classic of jazz swing style. This long-time favorite will bring a smile to your face and put a spring in your step! / Choeur (Unisson), Voix Hautes Et Voix Egales

Par DICKINSON EMILY / SIXTEN FREDRIK. A Hymn of Hope by Emily Dickinson (1830–1899) describes hope as ‘the thing with feathers that perches in the soul, and sings the tune without words’. It is strong enough to supply the soul with warmth, even in ‘the chillest land and on the strangest sea’. Fredrik Sixten sets the poem for high (female) voices, comparing hope with a songbird using musical motifs…