Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par MENDELSSOHN-BARTHOLDY FELIX. Songs Without Words Book 1, No. 1 includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he explores useful practice techniques for this classic example of Mendelssohn’s piano music, a biography of the composer and a short history of the music – all illustrated in full colour.  more than the score… is a serie…

Arr. Douglas Court. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn for band! Mendelssohn is known for the beauty of his melodic themes, and this one from the 'Italian' Symphony certainly fits that category. THEME from SYMPHONY #4 gives impressions of the people and landscapes of this beautiful country. A bucolic sense pervades the score and translates into a restful and uplifting musical experience.…

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn’s first oratorio – not only in times of Corona. For it is often considerations of space, a limited budget, or the size …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…