for Alto & Tenor Saxopone. Par KOCH CLAUS HENRY. Though I consider myself to be primarily a jazz performer, classical music - above all instrumental baroque music and Viennese Classicism - have always been very important to me. For quite a long time, particular elements characterizing these styles of music have occasionally been integrated in some of my jazz compositions. With these pieces, I am n…

Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed p…

Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…

Par MENDELSSOHN-BARTHOLDY FELIX. Full score for Violin, Cello and Piano of Felix Mendelssohn's Piano Trio No. 1 In D minor Op. 49 and Piano Trio No. 2 in C minor Op. 66. Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century ! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of ma…

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

This edition completes our series of all three clarinet concertos by the Swedish composer and clarinettist Bernhard Henrik Crusell. Issued in Leipzig in 1811, it was his first published work but had definitely been composed several years prior to this. With its elegant head movement and the simple and moving Adagio, it is probably the most 'Mozartian? of all of his three concertos, although the fi…

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …