| OFFERTOIRE (SAINT-SAENS CAMILLE) Cor et Orgue [Partition] Billaudot
Par SAINT-SAENS CAMILLE. L’Offertoire pour orgue et cor chromatique en ut mineur de Camille Saint-Saëns a été écrit à Paris en 1857 et resté méconnu jusqu’à ce jour car, pour des raisons inconnues, Saint-Saëns ne l’a jamais terminé. Cependant, grâce à la note laissée sur le manuscrit par son ami et éditeur Auguste Durand, nous savons avec certitude qu’il l’a bien joué sur les orgues de l’église Sa…
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| Six études pour la main gauche seule op. 135 (SAINT-SAENS CAMILLE) Piano seul [Partition] Barenreiter
Par SAINT-SAENS CAMILLE. Saint-Saëns' etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled 'Petites pieces' by Saint-Saëns in his manuscript and indeed the cycle, which the composer himself described as 'charming' and 'amu…
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| Sinfonia N.3 'Organ' Full Scor (SAINT-SAENS CAMILLE) Orchestre [Partition] Dover Publications
in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career as the preeminent French composer, Camille Saint-Saëns wrote music that embodies a characteristic French concern for clarity and order, together with his own assured mastery of the composer's craft. These qualities are evident in Saint-Saëns' Symphony No. 3, widely regarded as the composer's major orchestral work, and…
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| String Quartets Op. 112 And 153 (SAINT-SAENS CAMILLE) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…
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| Quartet For Two Violins, Viola And Violoncello No. 1 In E Minor Op. 112 (SAINT-SAENS CAMILLE) Barenreiter
Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the …
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| Quartet For Two Violins, Viola And Violoncello No. 2 In G Major Op. 153 (SAINT-SAENS CAMILLE) Barenreiter
Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the …
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| The Swan From 'The Carnival Of The Animals' (SAINT-SAENS CAMILLE) Flûte traversière Fentone Music
Arr. Robin De Smet. Par SAINT-SAENS CAMILLE. This beautiful, serene piece comes from Saint-Saëns’ “Carnival of the Animals” and is an ideal performance piece for flute and piano. The Swan a beautifully lyrical and expressive piece from Saint-Saens Carnival of the Animals, and has been skilfuly arranged for Flute with Piano accompaniment by Robin de Smet. The solo flute part is also included on a s…
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| Fantaisie En Mib (SAINT-SAENS CAMILLE / BUSSER) Trompette, Piano Leduc, Alphonse
Par SAINT-SAENS CAMILLE / BUSSER. Camille Saint-Saëns (1835-1921) is best known for his Carnival of the Animals and Organ Symphony. Yet, his Fantasy in E flat major arranged for Cornet or Trumpet and Piano remains popular in the advanced repertoire for the instruments. Saint-Saëns entered the Paris Conservatoire at the mere age of thirteen, where he studied Organ and composition. He then went on t…
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| Valse Caprice (SAINT-SAENS CAMILLE / YSAYE EUGENE) Violon et Piano [Partition] Hal Leonard
for Violin and Piano. Par SAINT-SAENS CAMILLE / YSAYE EUGENE. Originally, Camille Saint -Saëns created this work for piano in 1877 under the title 'Etude en form de Valse,' Op.52/6. In 1901, Ysaye reworked this piece for violin and piano and published it as 'Caprice d'après l'Etude en forme de Valse de Saint-Saëns.' Ysae created a veritable masterpiece for violin, far more popular now than the or…
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| Samson Et Dalila (SAINT-SAENS CAMILLE) Opéra [Partition] Barenreiter
Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works.
The fact that the work's genes…
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| Cinq Poèmes de Ronsard (SAINT-SAENS CAMILLE) Piano, Voix [Partition] Durand
pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. En 1921, année de sa mort, il finalise les Cinq Poèmes de Ronsard. Avec les Trois Vieilles Chansons, composées la même année, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charles Gounod, Georges Bizet ou encore Jules M…
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| Trois Vieilles Chansons (SAINT-SAENS CAMILLE) Piano, Voix [Partition] Durand
pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. Peu de temps avant de sa mort en 1921, il fait ses adieux à la mélodie en nous livrant les Trois Vieilles Chansons. Avec les Cinq Poèmes de Ronsard, composés en 1921, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charle…
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| Danse Macabre And Havanaise (SAINT-SAENS CAMILLE) Orchestre [Partition] Dover Publications
Par SAINT-SAENS CAMILLE. Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a cro…
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| Le Cygne Pour Cello Et Piano (SAINT-SAENS CAMILLE)
Violoncelle, Piano [Partition] Durand
extrait du Carnaval des animaux. Par SAINT-SAENS CAMILLE. A flowing, gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems, Carnival of Animals. This transcription for Cello and Piano accompaniment./ Répertoire / Violoncelle et Piano
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| Danse Macabre Vl Seul (SAINT-SAENS CAMILLE) Violon Durand
Par SAINT-SAENS CAMILLE. Saint-Saens' groundbreaking piece for solo Violin or Mandolin, about the appearance of Death each year at midnight on Halloween, summoning the dead with his violin./ Répertoire / Violon
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